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Mitochondria --- Microorganisms --- Physiology --- Chondriosomes --- Cell organelles --- Protoplasm --- Microbial physiology

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Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

• Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
• The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
• Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
• Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

Beckett, Samuel --- Beckett, Samuel, --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Criticism and interpretation. --- LITERARY CRITICISM / General.

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From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that sustained Ireland's oral culture, this book explains why Irish culture has been both so creative and so resistant to modernization. David Lloyd brings together manifestations of oral culture in the nineteenth and twentieth centuries, showing how the survival of orality was central both to resistance against colonial rule and to Ireland's modern definition as a postcolonial culture. Specific to Ireland as these histories are, they resonate with postcolonial cultures globally. This study is an important and provocative new interpretation of Irish national culture and how it came into being.

National characteristics, Irish. --- Ethnicity --- Oral tradition --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Ethnic identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Irish national characteristics --- Arts and Humanities --- Literature

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Flow cytometry. --- Microbiology --- Technique.

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English literature