Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Oehlen, Albert

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Four years after his iconic mirror paintings catapulted him to international acclaim, Michelangelo Pistoletto took an abrupt left turn with his series, the 'Minus Objects'. Comprised of 28 disparate objects - an oversize cardboard rose; an industrial lamp casting green light; a minimalist iron sculpture - the Minus Objects break with the notion of a signature style and are symbolic of infinite creative possibilities. As an ensemble, it minimizes the role of authorship, permitting each enigmatic object to speak for itself as autonomous and self-sufficient. Pistoletto is one of Italy's most important and influential artists, and this book celebrates the creation of the 'Minus Objects' as a radical turning point in postwar sculpture and conceptual art. The installation is represented in double-page spreads and the entire volume is designed to appear as a discrete object itself. Along with Pistoletto's original artist statement and transcripts of conversations about his work, this volume brings together critical analyses from some of the leading voices of the contemporary art world. Together, the images and texts in this book serve to position the 'Minus Objects' as a work of stunning originality and historical significance.

Sculpture --- sculpture [visual works] --- Arte Povera --- installations [visual works] --- Pistoletto, Michelangelo --- Conceptual art --- 7.07 --- Pistoletto, Michelangelo °1933 (°Biella, Italië) --- Conceptuele kunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Pistoletto, Michelangelo, --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- decorative arts [discipline] --- religious art --- Gothic [Medieval] --- anno 1200-1499 --- anno 1100-1199 --- Western Europe

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Tunga

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Developed in close collaboration with the artist, this vivid book captures the movement and pace of Charles Atlas's celebrated and highly collaborative time-based art. Looking back at a career that has spanned four decades, this beautiful volume profiles over 75 projects by Charles Atlas--including works recently exhibited at Tate Modern and the 2012 Whitney Biennial. As one of the first artists to explore the possibilities of video as a genre of expression, and especially through his long-lasting collaboration with Merce Cunningham, Atlas has teamed with numerous dancers and artists to create projects that range from feature-length documentaries to shorter media works, transforming the way performance is viewed by its audiences and the art world. In this inventive publication, Atlas's own commentary accompanies exquisite images that capture the structure and flow of his work in film, video, dance, and performance. The volume also includes interviews between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist's personal archives"--Publisher's description.

Video art --- Dance in art --- Atlas, Charles