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Architecture and digital fabrication robots build! At their program in architecture and digital production at the Eidgenossische Technische Hochschule (ETH) Zurich (Swiss Federal Institute of Technology in Zurich), the architects Gramazio & Kohler have installed a research facility that is unique in the world. It is based on a computer-controlled industrial robot that produces construction elements directly from design data. The robot works flexibly with a tremendous range of tools and materials. This publication places explosive insights, theses, and conclusions from the dialectic between physically experienceable architecture and digital processes up for debate.
architectuur --- Architecture --- architecture [discipline] --- Gramazio, Fabio --- Kohler, Matthias --- Switzerland --- Architectural design --- Architectural design. --- Architecture et technologie --- Construction --- Agences d'architecture --- Matériaux --- Innovations technologiques --- Gramazio, Fabio, --- Kohler, Matthias, --- Gramazio & Kohler --- Architecture et technologie. --- Innovations technologiques. --- Building --- Robots, Industrial --- Industrialisation de la construction --- Informatique --- Informatique appliquée --- Informatique et construction --- Matériau --- Technological innovations --- Building - Technological innovations --- Matériaux
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In his illustrated essay, Lars Müller traces the history of "Swiss Graphic Design" from the 1930s to the 1960s. Müller-Brockmann’s posters have become world famous for their ability to convey information with great visual tension, a sense of drama, and an extreme economy of means. Müller-Brockmann created a body of work in which timeless principles of visual communication are inscribed.
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Programme as typeface ; Programme as typography ; Programme as picture ; Programme as method
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Commercial art --- Graphic arts --- Posters, Swiss --- Müller-Brockmann, Josef,
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Conçue en 1957, la police Helvetica est une icône du design graphique suisse, un modèle de communication sobre, fonctionnelle à travers le monde dans les années 1950 et 60. De nombreuses illustrations montrent la multitude de façon dont la police a été utilisée dans cinq décennies à partir d'une grande variété de domaines.
Publishers. Printers --- 766.021 --- Helvetica --- Miedinger Max --- grafisch design --- grafische vormgeving --- lettertypes --- twintigste eeuw --- typografie --- 684.3 --- typografisch ontwerpen - typografisch tekenen - letters en drukvormen
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Karl Gerstner's work is a milestone in the history of design. 'Designing Programmes' is one of his most important works: in four essays, the author provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. The book is especially topical and exciting in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. 'Designing Programmes' was first published in 1964; in 2007 Lars Müller Publishers launched a re-designed version. This year's release of 'Designing Programmes' is a facsimile of the original edition of the book, designed by Karl Gerstner.
grafische vormgeving --- grafisch ontwerp --- grafisch design --- twintigste eeuw --- informatiedesign --- Gerstner Karl --- methodologie --- designtheorie --- 766.071 GERSTNER --- Philosophy and psychology of culture --- design [discipline] --- theory --- philosophy of art --- kunstfilosofie --- Type and type-founding --- Graphic arts --- Design --- 766.07 --- 766.01 --- Gerstner, Karl 1930-2017 (°Bazel, Zwitserland) --- Typografie --- Grafische vormgeving ; technieken ; werken met grids --- Grafische vormgeving ; informatieweergave --- Rasters ; roosters ; strepen ; lijnen ; dambordmotieven --- Creation (Literary, artistic, etc.) --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Technique --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Gebruiksgrafiek ; theorie, filosofie, esthetica --- Gerstner, Karl. --- Gredinger, Paul, --- Stephenson, D. Q. --- Type and type-founding. --- typography --- Technique. --- 766.22.07 --- Grafische industrie en ontwerp ; schrift ; typografie ; typografen
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Neue Grafik, the "International Review of graphic design and related subjects," was initiated by designer Josef Müller-Brockmann and published in eighteen issues between 1958 and 1965 by an editorial collective consisting of him, Richard Paul Lohse, Hans Neuburg und Carlo Vivarelli (LMNV). The complete volumes are now presented in this facsimile reprint. From a historical point of view, Neue Grafik can be seen as a programmatic platform and effective publishing organ of Swiss graphic design, an international authority in its field at the time. Protagonists of the Swiss school and its rigorous Zurich faction lead an essential discourse on the foundations of current communication and constructive design. The influence of this movement cannot be over-stated. The Swiss school, also called "Inter-national Style," became exemplary for the conceptual approach to corporate design of increasingly globally operating corporations and an influential precursor in the design of individual projects, such as posters, exhibitions, and publications. Neue Grafik is an important point of reference in the recent history of graphic design. After the heights of the digital revolution now follows a renewed concern for matter-of-fact concepts and clear form languages. This explains the interest in the almost fundamentalist stance of the four Zurich-based designers, who were responsible for the content of the magazine.
Commercial art. --- Graphic arts. --- Industrial design. --- Lohse, Richard Paul, --- Müller-Brockmann, Josef, --- Neuburg, Hans, --- Vivarelli, Carlo,
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