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drawing [image-making] --- Art --- Venice --- Amsterdam --- Titian --- Rembrandt --- tekeningen --- prenten --- Rembrandt van Rijn --- Titiaan --- 1500 - 1700 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- Venetië --- 76 <492> "16" --- 76 <45> "15" --- Grafische kunsten. Grafiek. Prentkunst--Nederland--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- Exhibitions --- 76 <45> "15" Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- 76 <492> "16" Grafische kunsten. Grafiek. Prentkunst--Nederland--17e eeuw. Periode 1600-1699 --- prints [visual works] --- grafiek --- Rembrandt. --- Titiaan. --- 1500 - 1700. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Amsterdam. --- Noordelijke Nederlanden. --- Venetië. --- Hollandse school --- Italiaanse school --- Venetiaanse school
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Painting --- History of the Low Countries --- anno 1400-1499 --- anno 1500-1599 --- Florence --- Painting, Flemish --- Painting, Renaissance --- Painting, Italian --- Peinture flamande --- Peinture de la Renaissance --- Peinture italienne --- Exhibitions. --- Expositions --- Flanders --- Florence (Italy) --- Flandre --- Florence (Italie) --- Relations --- 759.03 --- Arts Painting 1400 - 1600 --- Paintings, Renaissance --- Renaissance painting --- Italian painting --- Flemish painting --- Florent︠s︡ii︠a︡ (Italy) --- Firenze (Italy) --- Florencia (Italy) --- Florença (Italy) --- Florenz (Italy) --- Florentia (Italy) --- Forence (Tuscany) --- Florence (Tuscany) --- Early Netherlandish --- Florence, school van --- Nederlandse school --- artistic relations
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Nederlandse kunstenaars in Italië --- Rembrandt --- Tuscany --- Art --- Art patronage --- Rembrandt school --- Mécénat --- Rembrandt, Ecole de --- Collectors and collecting --- Collectionneurs et collections --- Rembrandt Harmenszoon van Rijn, --- Criticism and interpretation --- Critique et interprétation --- Mécénat --- Critique et interprétation --- Criticism and interpretation.
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This is the very first book to tackle the subject of drawing in Venice in the later sixteenth century comprehensively and in depth, covering the huge number of surviving drawings by a great number of artists, considering also their function and their patronage. Although Venetian art of the late sixteenth century and early seventeenth century has been the subject of scholarly study for nearly a century, it is comparatively little explored, and a great deal of the foundational work needed has remained undone. This books sets out to fill in the gaps and flesh out the outlines of our knowledge of this period, introducing a great number of artists whose drawings may be very little known, and discussing their patrons, the market for their drawings, and the collectors of this kind of material. It is therefore a volume that will be fundamental for dealers, libraries, curators and enthusiasts for drawings. Some 36 major artists or studios are catalogued in this volume, including Antonio Vassilacchi (lAliense), the Caliari (Veronese) workshop, Odoardo Fialetti, Francesco Maffei, the Maganza, Pietro Malombra, Alessandro Varotari (il Padovanino), Palma il Giovane, Paolo Fiammingo, Carlo Ridolfi and Andrea Vicentino.
Drawing, Italian --- Drawing --- drawings [visual works] --- anno 1600-1699 --- anno 1500-1599 --- Venice --- Venetiaanse school
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Art --- Soens, Jan
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Painting --- History --- drawing [image-making] --- Floris, Frans I --- anno 1500-1599 --- Netherlands --- Belgium
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drawing [image-making] --- frescoes [paintings] --- Nederlandse kunstenaars in Italië --- Sustris, Lambert --- Padua
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Painting --- History --- continence of Scipio --- Dyck, van, Anthony --- Rubens, Peter Paul --- anno 1600-1699 --- Flanders
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