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Walter Benjamins Theorie der Sprachmagie
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ISBN: 3518072897 Year: 1980 Publisher: Frankfurt am Main : Suhrkamp,

Hälfte des Lebens: Versuch über Hölderlins Poetik
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ISBN: 3518417177 Year: 2005 Publisher: Frankfurt am Main Suhrkamp

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Lob des Unsinns : über Kant, Tieck und Blaubart
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ISBN: 3518582003 Year: 1995 Publisher: Frankfurt : Suhrkamp,

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Walter Benjamins Theorie der Sprachmagie.
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ISBN: 3518287680 Year: 1995 Publisher: Frankfurt am Main Suhrkamp

Disgust : the theory and history of a strong sensation
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ISBN: 0791486311 1417538775 9781417538775 0791458326 9780791458327 0791458318 9780791458310 9780791486313 Year: 2003 Publisher: Albany : ©2003 State University of New York Press,

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"In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices: the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art.""--Jacket


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Aesthetics after Darwin : the multiple origins and functions of art
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ISBN: 1644690012 9781644690017 9781644690000 1644692597 Year: 2019 Publisher: Boston : Academic Studies Press,

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Darwin famously proposed that sexual competition and courtship is (or at least was) the driving force of "art" production not only in animals, but also in humans. The present book is the first to reveal that Darwin's hypothesis, rather than amounting to a full-blown antidote to the humanist tradition, is actually strongly informed both by classical rhetoric and by English and German philosophical aesthetics, thereby Darwin's theory far richer and more interesting for the understanding of poetry and song. The book also discusses how the three most discussed hypothetical functions of the human arts--competition for attention and (loving) acceptance, social cooperation, and self-enhancement--are not mutually exclusive, but can well be conceived of as different aspects of the same processes of producing and responding to the arts. Finally, reviewing the current state of archeological findings, the book advocates a new hypothesis on the multiple origins of the human arts, posing that they arose as new variants of human behavior, when three ancient and largely independent adaptions--sensory and sexual selection-driven biases regarding visual and auditory beauty, play behavior, and technology--joined forces with, and were transformed by, the human capacities for symbolic cognition and language.

Schwellenkunde : Walter Benjamins Passage des Mythos
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ISBN: 3518113496 Year: 1986 Publisher: Frankfurt am Main : Surhkamp,

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Ekel : Theorie und Geschichte einer starken Empfindung
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ISBN: 9783518292341 Year: 2002 Publisher: Frankfurt am Main : Suhrkamp,

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Wozu Kunst? : Ästhetik nach Darwin
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ISBN: 9783518585658 Year: 2011 Publisher: Berlin : Suhrkamp,

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Das Versprechen der Schönheit
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ISBN: 3518294164 9783518294161 Year: 2007 Publisher: Frankfurt am Main : Suhrkamp Verlag,

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