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This book reassesses the love poetry of Maurice Scève from a phenomenological viewpoint. It calls into question the traditional critical view of Scève as a poet consumed by the anguish and darkness of unrequited love, and frustrated by poetic and erotic quests which lead him nowhere. Professor Nash argues instead that the conflicting forces in Scève's poetic expression of love (light and dark, night and day, heaven and hell) lead ultimately to a sense of equilibrium and a transcendent paradisal state, and that the poet's struggle is actually directed towards this coming to terms with the meaning of ineffable love. Contemplation and portrayal of the ineffable are shown to constitute the central and unifying concern of this compelling body of Renaissance love poetry.
Arts and Humanities --- Literature --- Love poetry, French --- History and criticism. --- Scève, Maurice, --- Criticism and interpretation.
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Comment une femme à l'aube des temps modernes perçoit-elle le sexe masculin, la misogynie courante de l'époque, l'accès des femmes au savoir et à l'exercice du pouvoir ? Tout en forgeant son identité culturelle, Hélisenne de Crenne aborde ces sujets dans cette oeuvre épistolaire d'une modernité incontestable.
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