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Architecture --- Architecture --- History --- Histoire --- Natalini, Adolfo,
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Architecture --- History --- Natalini, Adolfo, --- Criticism and interpretation --- Superstudio (Group) --- Bibliography.
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City planning --- -Public architecture --- -Architecture --- -Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architecture, Public --- Civic architecture --- Architecture --- Cities and towns --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Design and construction --- Government policy --- Management --- Natalini, Aldofo --- -Criticism and interpretation --- Public architecture --- History --- Natalini, Aldofo, --- Criticism and interpretation. --- -Natalini, Aldofo --- Architecture, Modern
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Do 21st-century women and men still believe that museums can, through the way they display art, help shape their visitors’ sense of the dignity of the person? Through the readings of history and style which they propose, can museums help bridge the gap that today seems to separate present from past, isolating individuals and groups in a contemporaneity without roots? If so, how? If not, why?
Museology --- Museum techniques. --- Muséologie --- Conferences - Meetings --- Muséologie. --- Social ethics --- Professional ethics. Deontology --- Sociology of cultural policy --- Didactics of the arts --- museology --- social ethics --- didactiek --- anno 2000-2099
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Architecture --- History --- Superstudio (Group)
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Disparu en 2020 (après les morts de Roberto Magris en 2003 et Cristiano Toraldo di Francia en 2019), Adolfo Natalini datait le dénouement de « l'utopie Superstudio » à trois « fins de l'histoire » possibles : 1972-1973, après les trois expositions de New-York, Graz et Minneapolis venant clore le grand cycle de leur architecture « radicale » ; 1978, après la fin de charges de cours et l'échec de Global Tools ayant mis un terme à leur « recherche sur la culture matérielle » ; puis 1986, après une agonie à petit feu, où « nous avons continué à signer du nom de Superstudio - apposé tel un label », jusqu'au moment où « nous avons décidé que le temps était venu d'y mettre un terme ». Au-delà de la légende, la « vie secrète » des membres de Superstudio devenait enfin déclassifiable. Propos d'A. Natalini, C. Toraldo di Francia et G.P. Frassinelli recueillis par G. Mastrigli
Utopies architecturales --- Avant-garde (esthétique) --- Superstudio --- Superstudio (Florence, Italie) --- Avant-garde (esthétique)
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This book is the first to document the remarkable history of the International Institute of Design (IID), an independent school of architecture founded and directed by Alvin Boyarsky from 1970-72, and highlights a pivotal episode in the career of Boyarsky, best known for his subsequent role as chairman of the Architectural Association (1971-90). Launched in the wake of the institutional upheavals that had swept schools of architecture during the late 1960s, the IID introduced an alternative model of architectural education: one that brought together a range of teaching methods, design strategies, theories and projects alongside and international asortment of protagonists. In progress details this pioneering experiment through a trove of previously unpublished material, and reveals how three informal architectural gatherings, held over three successive summers, established not only a global network of architects and discourses, but also a new institutional platform for architectural education.
International Institute of Design --- History. --- Architecture --- Schools of architectu --- Study and teaching --- History --- Boyarsky, Alvin. --- Schools of architecture --- Écoles d'architecture --- Étude et enseignement --- Histoire
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