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Art --- Modern [style or period] --- Nwoko, Demas --- Okeke, Uche --- Nigeria

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Art --- art [discipline] --- Poiré, Emmanuel --- Geers, Kendell --- Shonibare, Yinka --- El Anatsui --- Bellamine, Fouad --- Kacimi, Mohamed --- Katarikawe, Jak --- Hazoumè, Romuald --- Breitz, Candice --- Gaba, Meschac --- Tayou, Pascale Marthine --- Owusu-Ankomah --- Abdessemed, Adel --- Aboudramane, Doumbouya --- Aboueu, Damase --- Adéagbo, Georges --- Adenaike, Tayo --- Akpan, Sunday Jack --- Amoda, Olu --- Atnafu, Elisabeth --- Bamgboyé, Oladélé Ajiboyé --- Basto, Luís --- Boghossian, Skunder --- Buhari, Jerry --- Camara, Fodé --- de Souza, Allan --- Debela, Achamyele --- Dia, Tamessir --- Diab, Rashid --- Diba, Viyé --- Dieng, Modou --- Dimé, Moustapha --- Donkor, Godfried --- Doob, Joel Mpah --- Dosunmu, Andrew --- Douglas Camp, Sokari --- Egonu, Uzo --- Ekpuk, Victor --- Salahi, el, Ibrahim --- Elkoussy, Hala --- Ennadre, Touhami --- Essaydi, Lalla --- Étoundi Essamba, Angèle --- Evans, Mary --- Fani-Kayode, Rotimi --- Fatmi, Mounir --- Fosso, Samuel --- Hafiz, Farghali Abdel --- Haloba, Anawana --- Hefuna, Susan --- Himid, Lubaina --- Hlungwani, Jackson --- IngridMwangiRobertHutter --- Ishag, Kamala --- Issa, Iman --- Jantjes, Gavin --- Kainebi, Osahenye --- Kamel, Rafik --- Senghor, Fatou Kandé --- Kane-Si, Amadou --- Kenawy, Amal --- Khadda, Mohamed --- Khalil, Omer --- Koloane, David --- Konaté, Abdoulaye --- Koraïchi, Rachid --- Kosrof, Wosene --- Kouélany, Bill --- Kure, Marcia --- Kwami, Atta --- Kwei, Samuel Kane --- Langa, Moshekwa --- Lawson, Clemclem --- Loko, EL --- Maamoun, Maha --- Mahdaoui, Nja --- Malangatana, Valente Ngwenya --- Mansaray, Abu-Bakarr --- Dumas, Marlene --- Meledge, Ernestine --- Mihindou, Myriam --- Mntambo, Nandipha --- Muholi, Zanele --- Muriuki, James --- Musa, Hassan --- Mutu, Wangechi --- Nabil, Youssef --- Naim, Sabah --- Nasr, Moataz --- Ndiaye, Iba --- Ndiritu, Grace --- Nhlengethwa, Sam --- Niati, Houria --- Nkanga, Otobong --- Odita, Odili Donald --- Odundo, Magdalene --- Oguibe, Olu --- Okore, Nnenna --- Okudzeto, Senam --- Ole, Antonio --- Onobrakpeya, Bruce --- Onyango, Richard --- Petros, Dawit --- Phokela, Johannes --- Rahmoun, Younès --- Rose, Tracey --- Samb, Issa --- Schreuders, Claudette --- Searle, Berni --- Segogela, Johannes --- Shaath, Randa --- Shawky, Wael --- Shimi, Batoul --- Sinzogan, Julien --- Sirry, Gazbia --- Sow, Ousmane --- Stopforth, Paul --- Subotzky, Mikhael --- Tiruneh, Eshetu --- Toguo, Barthélémy --- Tokoudagba, Cyprien --- Touré, Yacouba --- Trah Bi, Ninin --- Turki, Hedi --- Twins Seven-Seven --- Udechukwu, Obiora --- Udemba, Emeka --- van der Merwe, Hentje --- Veleko, Nontsikelelo --- Mthethwa, Zwelethu --- Tillim, Guy --- Ractliffe, Jo --- Goldblatt, David --- Mofokeng, Santu --- Alexander, Jane --- Siopis, Penny --- Waquialla, Osman --- Watts, Ouattara --- Williamson, Sue --- Yiadom-Boakye, Lynette --- Zézé, Assita --- Rhode, Robin --- Ferreira, Ângela --- Hassan, Kay --- Kentridge, William --- Boshoff, Willem --- Kingelez, Bodys Isek --- Ofili, Chris --- Bruly Bouabré, Frédéric --- Amer, Ghada --- Ledy, Cheik --- Moke --- Samba, Cheri --- Bidjocka, Bili --- Sedira, Zineb --- Barrada, Yto --- Mehretu, Julie --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- Africa

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Published to accompany an exhibition at the Berlin National Gallery, this richly illustrated book reflects on contemporary Africa and its cultural landscape through the lens of colonial history, using literary and scientific texts and essays.

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Wangechi Mutu's remarkable body of work touches on such issues as sexuality, ecology, politics, and the rhythms and chaos that govern the world. Her paintings, sculptures, and collages, often enriched with culturally-charged materials including tea, synthetic hair, Kenyan soil, feathers, and sand, interweave fact with fiction, generating a unique form of myth-making that sets her apart from classical history or popular culture. This is the first book to document her evolution and explore her impact.

sculpture [visual works] --- installations [visual works] --- monumental [size or dimensions] --- easel paintings [paintings by form] --- human figures [visual works] --- Mutu, Wangechi --- Art --- Thema's in de kunst ; zelfportretten ; vrouwentypes --- Beeldende kunst ; collages ; 20ste en 21ste eeuw --- Performances ; installaties; 21ste eeuw --- Lichaamsornamentiek ; bij etnografische volkeren ; Afrika --- Thema's in de kunst ; ras ; gender ; geslacht --- Mutu, Wangechi °1972 (°Nairobi, Kenia). Woont en werkt in New York --- 7.07 --- 7.071 --- kunst --- beeldhouwkunst --- schilderkunst --- tekenkunst --- collages --- installaties --- Kenia --- eenentwintigste eeuw --- twintigste eeuw --- Mutu Wangechi --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- paintings [visual works]

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Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists' paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a "primitive" past. Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries.

Art, African --- Artists --- African American artists --- Africans --- Africans in art --- Modernism (Art) --- Art africain --- Artistes --- Artistes noirs américains --- Africains --- Africains dans l'art --- Modernisme (Art) --- HISTORY / United States / General. --- Appreciation --- Social life and customs --- African influences --- Appréciation --- Mœurs et coutumes --- 1900-1999 --- Africa --- United States