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What precedes architecture? Architect and artist Malgorzata Maria Olchowska (° Bartoszyce, 1982) explores how personal and collective memories influence our view of the built environment. The book is built around a text by Vlad Ionescu (Faculty of Architecture and Art, PXL/UHasselt) in which he reflects on the work of Malgorzata Maria Olchowska, from 2009 to today. This is supplemented and illustrated by means of a visual essay in which Olchowska shows her work of the last five years. The design of the book is done by Ward Heirwegh. "There is the house we design as an adult, the one we drew as a child, the property of the vir probatus, the house that provides safety and the one that frightens the child. Olchowska's prints work with these imaginary alterations as façades or as side and interior views: they are the waiting rooms of architecture." Vlad Ionescu. Exhibition: Red Star Line Museum, Antwerp, Belgium (31.03. - 23.04.2023).

Art and architecture --- Olchowska, Malgorzata Maria, --- Tekenkunst ; architectuurtekenen --- Architectuur en oorlog ; heropbouw --- Thema's in de kunst ; vormen van herinnering --- Stedenbouw ; denken over ; 21ste eeuw --- Architectuur en beeldende kunst ; samengaan van beide disciplines --- Architectuur ; modellen ; maquettes ; tekeningen --- Olchowska, Malgorzata Maria (° Bartoszyce, 1982) --- Vlaams Architectuur Instituut (VAI) ; uitgaven --- 741:72.07 --- Tekenkunst ; architecten, stedenbouwkundigen --- Olchowska, Malgorzata Maria --- Architecture and philosophy --- Architecture et philosophie --- Olchowska, Małgorzata Maria. --- Architecture --- Graphic arts --- architectural theory --- artists' books [books] --- graphic arts --- Olchowska, Malgorzata

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Bezoekersgids

Public buildings --- 711.6 --- 72 --- Publieke ruimte --- Openbare ruimte --- Architectuur --- 711.4 --- 72.037 --- België --- Vlaanderen --- Stedenbouw --- 21ste eeuw (architectuur)

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The Open Call enhances the quality of public buildings and of the public space, and thus of our environment. The results are visible today. In the 1990s, there were hardly any government buildings in our country that architecture critics or the general public were enthusiastic about. In part thanks to the Open Call, a positive change in the public building culture took place in Flanders at the turn of the millennium. Drawing on selected archival material, accounts and new installations, this exhibition presents a crosssection of the Open Call projects from the past 20 years. It shows how the procedure works exactly and what is at stake in the process.