Listing 1 - 10 of 12 | << page >> |
Sort by
|
Choose an application
Choose an application
Antwerpse school --- landschap, Nederlanden --- Grimmer, Abel
Choose an application
Choose an application
Scholars have long recognized the formal significance of Claes Jansz. Visscher’s 1612 copies of the Small Landscape prints for the development of seventeenth-century Dutch landscapes. The prints, which were originally published in Antwerp in the mid-sixteenth century, represent the rural terrain of Brabant with a direct naturalism and topographic specificity that would later become a hallmark of Dutch Golden Age landscape prints and paintings. This article focuses on the content of the series and attempts to understand the Dutch market and appreciation for views of Brabant in the early seventeenth century. Published in the early years of the Twelve Years’ Truce, likely with the vast émigré population of Southern Netherlanders in mind, the prints visually restore Brabant to its pre-Revolt past of peace and prosperity at the same time as they stimulate hope for a reunification of this lost southern province into a new United Netherlands.
History of the Low Countries --- political art --- landscapes [representations] --- Nederlanden --- Visscher, Claes Jansz.
Choose an application
Scholars have long recognized the formal significance of Claes Jansz. Visschers 1612 copies of the Small Landscape prints for the development of seventeenth-century Dutch landscapes. The prints, which were originally published in Antwerp in the mid-sixteenth century, represent the rural terrain of Brabant with a direct naturalism and topographic specificity that would later become a hallmark of Dutch Golden Age landscape prints and paintings. This article focuses on the content of the series and attempts to understand the Dutch market and appreciation for views of Brabant in the early seventeenth century. Published in the early years of the Twelve Years Truce, likely with the vast émigré population of Southern Netherlanders in mind, the prints visually restore Brabant to its pre-Revolt past of peace and prosperity at the same time as they stimulate hope for a reunification of this lost southern province into a new United Netherlands.
prints [visual works] --- Vlaamse school --- landschap, Nederlanden --- typografie --- twaalfjarig bestand --- Nederlanden --- Visscher, Claes Jansz. II --- anno 1600-1699
Choose an application
Choose an application
prints [visual works] --- landscapes [representations] --- anno 1600-1699 --- Antwerp
Choose an application
History of civilization --- prints [visual works] --- easel paintings [paintings by form] --- anno 1600-1699 --- Antwerp
Choose an application
prints [visual works] --- landscapes [representations] --- Luyck, van, Hans --- Antwerp
Choose an application
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources - including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs - Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
76 <493> "15" --- 76.047 <493.1> --- 76.047 <493.1> Iconografie: landschappen stadsgezichten zeegezichten in de prentkunst--België, provincie Antwerpen --- Iconografie: landschappen stadsgezichten zeegezichten in de prentkunst--België, provincie Antwerpen --- 76 <493> "15" Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Cock, Hieronymus, --- Cock, Jérôme, --- Cock, Jeronimus, --- Kock, Hieryonymus, --- Kock, Jérôme, --- Kock, Jeronimus, --- Prints, Belgian --- artistic change --- Cock, Hieronymus --- Master of the Small Landscapes --- 76.047 <493.1> Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--België, provincie Antwerpen --- Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--België, provincie Antwerpen --- Landscape prints, Flemish --- Prints, Flemish --- Graphic arts --- prints [visual works] --- History of the Low Countries --- landscapes [representations] --- anno 1600-1699 --- anno 1500-1599 --- Antwerp
Listing 1 - 10 of 12 | << page >> |
Sort by
|