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The Women of the pleasure quarter : Japanese paintings and prints of the floating world : [itinerary exhibition : Worcester Art Museum, February 24 - May 5, 1996 ; New York, Equitable Gallery, June 8 - August 18, 1996 ; Fort Worth, Kimbell Art Museum, September 22 - December 1, 1996]
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ISBN: 1555951163 Year: 1996 Publisher: Worcester New York Worcester Art Museum Hudson Hills Press

The women of the pleasure quarter : Japanese paintings and prints of the floating world
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ISBN: 1555951155 9781555951153 Year: 1995 Publisher: New York Hudson Hills Press

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Abstract

This volume is the first comprehensive study of the women of the pleasure quarters and entertainment districts of Japan of the seventeenth through nineteenth centuries. It examines the cultural and metaphorical meanings of courtesans and geisha and their appearance in art and Kabuki theater. These women were at the nexus of social relations, part of public culture, organized into institutions and transformed into emblems of femininity, personifications of the romantic ideal. The Women of the Pleasure Quarter reproduces paintings and woodblock prints by forty-six artists, virtually all the leading masters of the genre, including Miyagawa Choshun, Ando Hiroshige, Katsushika Hokusai, and Kitagawa Utamaro. These works, the most familiar forms of Japanese art to Westerners, are important both for their intrinsic aesthetic quality and for their value as documents of Japanese cultural history. Art and life were fundamentally intertwined in the floating world; it was a realm in which art not only influenced life but in which popular entertainment also transformed itself into art by inventing its own conventions and artistic forms. The Women of the Pleasure Quarter is published in conjunction with an exhibition organized by the Worcester Art Museum, Massachusetts, and also seen at Equitable Gallery, New York, and Kimbell Art Museum, Fort Worth. Every work in the exhibition, including several rare hand-colored photographs, is reproduced in full color and discussed in an individual commentary. Capsule biographies of each artist, a glossary, and a selected bibliography complete this enchanting survey of one of the most extraordinary bodies of work in art history.


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Kabuki Plays on Stage. Volume 2

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Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.

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Masterpieces of Kabuki

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