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Travaux présentés au colloque tenu au Centre culturel international de Cerisy-la-Salle du 14 au 21 aoüt 2003
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La fiction poétique de Malcolm Lowry ne se limite pas au chant tragique de Under The Volcano (1947). La publication de nouveaux matériaux a révélé que sa « Divine Comédie ivre » est un appel à la vie, au désir et au sacré relié au souffle du monde, qui fait la contemporanéité de son écriture.
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The form of art called fiction has always been the privileged framework providing the perfect alibi for facing, framing, and containing the Other's desire and the strange libido attached to violence: in other words, there is an ambivalent dimension inherent in the scenarios and fantasies we enjoy by proxy. Are not the fairy tales of our childhood full of images of death and violence, whose fascinating presence is paradoxically meant to make us feel all the more safely tucked up in bed? After ...
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