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This volume explores the history of Irish writing between the Second World War (or the 'Emergency') in 1939 and the re-emergence of violence in Northern Ireland in the 1970s. It situates modern Irish writing within the contexts of cultural transition and transnational connection, often challenging pre-existing perceptions of Irish literature in this period as stagnant and mundane. While taking into account the grip of Irish censorship and cultural nationalism during the mid-twentieth century, these essays identify an Irish literary culture stimulated by international political horizons and fully responsive to changes in publishing, readership, and education. The book combines valuable cultural surveys with focussed discussions of key literary moments, and of individual authors such as Seán O'Faoláin, Samuel Beckett, Edna O'Brien, and John McGahern.
English literature --- Irish literature --- Literature and society --- Irish authors --- History and criticism. --- History
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This book asks how English authors of the early to mid twentieth-century responded to the nationalist revolution in neighbouring Ireland in their work, and explores this response as an expression of anxieties about, and aspirations within, England itself. Drawing predominantly on novels of this period, but also on letters, travelogues, literary criticism, and memoir, it illustrates how Irish affairs provided a marginal but pervasive point of reference for a widerange of canonical authors in England, including Wyndham Lewis, Virginia Woolf, D.H. Lawrence, Graham Greene, and Evelyn Waugh, and also for many lesser-known figures such as Ethel Mannin, George Thomson, and T.H. White.The book surveys these and other incidental writers within the broad framework of literary modernism, an arc seen to run in temporal parallel to Ireland's revolutionary trajectory from rebellion to independence. In this context, it addresses two distinct aspects of the Irish-English relationship as it features in the literature of the time: first, the uneasy recognition of a fundamental similarity between the two countries in terms of their potential for violent revolutionary instability, and second, the proleptic engagement of Irish events to prefigure, imaginatively, the potential course of England's evolution from the Armistice to the Second World War. Tracing these effects, this book offers a topical renegotiation of the connections between Irish and English literary culture,nationalism, and political ideology, together with a new perspective on the Irish sources engaged by English literary modernism.
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English literature --- Literature --- Ireland
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Through increased immigration, Ireland has encountered Central and Eastern Europe in a very direct manner since the mid-1990s. However, there was already a scattered history of cultural communication between these two regions, even if these dialogues have often been discrete and discontinuous. Recovering and exploring some of these diverse interrelationships, this volume charts some of the alternative, lesser-known routes that Irish cultural life has taken. By plotting various movements between these two peripheries of Europe, the book recalibrates the map of Irish literary, artistic and histo
Irish literature --- East European literature --- Hungarian literature --- Irish drama --- Appreciation --- Ireland --- Europe, Central --- Europe, Eastern --- Relations --- Intellectual life.
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Ireland --- Irlande --- History --- Dictionaries --- Social life and customs --- Civilization --- Histoire --- Dictionnaires anglais --- Moeurs et coutumes --- Civilisation --- Irish Free State
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