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History of Europe --- Iconography --- anno 1700-1799 --- anno 1800-1899 --- 76.044 --- Geschiedkundige voorstellingen: staatshandelingen; veldslagen in de prentkunst --- Arts and revolutions. --- Neoclassicism (Art) --- Revolutions in art. --- Romanticism in art. --- 76.044 Geschiedkundige voorstellingen: staatshandelingen; veldslagen in de prentkunst --- Neoclassicism (Art). --- Arts and revolutions --- Revolutions in art --- Romanticism in art --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- Art, Modern --- Classicism in art --- Revival movements (Art) --- Revolutions and the arts --- Politics and culture --- France --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- France (Provisional government, 1944-1946) --- History --- Art and the revolution. --- 프랑스 --- Falanxi --- Fa-lan-hsi --- 法蘭西 --- Frankrijk --- Frant︠s︡ --- Франц --- Frant︠s︡ Uls --- Франц Улс --- Histoire --- Iconographie --- 1789-1799 (revolution)

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Hogarth, William --- Aesthetics, British --- -Art and literature --- -English fiction --- -Fiction --- -Literature and society --- -Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- English literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Aesthetics, English --- British aesthetics --- English aesthetics --- History --- -History and criticism --- Technique --- Social aspects --- Philosophy --- -History --- Art and literature --- English fiction --- Literature and society --- Fiction writing --- Writing, Fiction --- Authorship --- History and criticism --- 18th century --- Great Britain --- Aesthetics [British ]

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Painting --- Turner, Joseph Mallord William --- Constable, John --- landschappen --- 82:7 --- Landscape painting, English --- -English landscape painting --- Literatuur en kunst --- Turner, J. M. W. --- England --- In art. --- Arts and revolutions. --- Neoclassicism (Art) --- Revolutions in art. --- Romanticism in art. --- Constable, John, --- -Literatuur en kunst --- Neoclassicism (Art). --- 82:7 Literatuur en kunst --- -82:7 Literatuur en kunst --- English landscape painting --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- landschappen. --- Turner, Joseph Mallord William. --- Constable, John. --- -Constable, John

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The confusion of sin and evil, or religious and moral transgression, is the subject of Ronald Paulson's latest book. He calls attention to the important distinction between sin and Evil (with a capital E) that in our times is largely ignored, and to the further confusion caused by the term "moral values." Ranging widely through the history of Western literature, Paulson focuses particularly on American and English works of the eighteenth through twentieth centuries to discover how questions of evil and sin-and evil and sinful behavior-have been discussed and represented.The breadth of Paulson's discussion is enormous, taking the reader from Greek and Roman tragedy, to Christian satire in the work of Swift and Hogarth, to Hawthorne's and Melville's novels, and finally to twentieth-century studies of good and evil by such authors as James, Conrad, Faulkner, Greene, Heller, Vonnegut, and O'Brien. Where does evil come from? What are "moral values"? If evil is a cultural construct, what does that imply? Paulson's literary tour of sin and evil over the past two hundred years provides not only a historical perspective but also new ways of thinking about important issues that characterize our own era of violence, intolerance, and war.

American literature --- English literature --- Evil in literature. --- Religion in literature. --- Sin in literature. --- History and criticism. --- 82.04 --- 82.04 Literaire thema's --- Literaire thema's --- Evil in literature --- Religion in literature --- Sin in literature --- Religion in drama --- Religion in poetry --- Good in literature --- History and criticism

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England --- Church history --- 18th century --- Religious satire [English ] --- History and criticism --- Christianity and the arts --- History --- Religious satire, English --- English religious satire --- Arts and Christianity --- Arts