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The Aesthetics of Middlebrow Fiction examines the critically acclaimed, popular novels that were labeled "middlebrow" in the US during the Cold War. This period saw a vogue for the term 'middlebrow,' with articles on the topic in magazines like Harper's and Life; there was even a song about "Middle Brow" taste in Touch and Go, a 1949 Broadway revue. The project treats the middlebrow novel not as marginal but as central to the tradition of American literature. Bestselling novelists such as James Michener, Harper Lee, and Leon Uris were not, as critics often asserted, writing work outmoded by comparison with their modernist peers, but rather adapted the traditional conventions of the novel to represent the modern world. Remake it New treats the "middlebrow" novel as not marginal but central to the tradition of American literature. Bestselling novelists such as James Michener, Harper Lee, and Leon Uris were not, as critics often asserted, writing work outmoded by comparison with their modernist peers, but rather adapted the traditional conventions of the novel to represent the modern world.

American fiction --- Popular literature --- Literature and society --- Social problems in literature. --- Social values in literature. --- Aesthetics in literature. --- LITERARY CRITICISM / General. --- LITERARY CRITICISM / American / General. --- LITERARY CRITICISM / Semiotics & Theory. --- History and criticism. --- History

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Original critical essays on an iconic American periodical, providing new insights into twentieth-century literary cultureGBS_insertPreviewButtonPopup(['ISBN:9780748682492','ISBN:9780748682508']);This collection of newly commissioned critical essays reads across and between New Yorker departments, from sports writing to short stories, cartoons to reporters at large, poetry to annals of business. Attending to the relations between these kinds of writing and the magazine’s visual and material constituents, the collection examines the distinctive ways in which imaginative writing has inhabited the ‘prime real estate’ of this enormously influential periodical. In bringing together a range of sharply angled analyses of particular authors, styles, columns, and pages, this book offers multiple perspectives on American writing and periodical culture at specific moments in twentieth-century history.Key Features: Eleven new perspectives on major American writers, including Roth, Cheever, Plath, and Updike, in relation to their first publication contextsReconsiders modern and contemporary American writing and periodical culture, focusing critical attention on commercially successful ‘smart’ magazinesDraws on new research in The New Yorker’s manuscript and digital archivesA distinctive combination of close critical reading and cultural analysis"

American prose literature --- Journalism --- Periodicals --- History and criticism. --- History --- Publishing