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Out of order, out of sight. 2: Selected writings in art criticism 1967-1992
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ISBN: 0262161559 0262161567 9780262161565 9780262161558 Year: 1996 Publisher: Cambridge (Mass.) : MIT press,

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Out of order, out of sight.
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ISBN: 9780262661522 9780262661539 Year: 1999 Publisher: Cambridge, Mass. MIT


Book
Talking to myself : the ongoing autobiography of an art object
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Year: 1974 Publisher: Bruxelles : Hossmann Hamburg,

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Adrian Piper. Textes d'oeuvres et essais.
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ISBN: 9782905985651 Year: 2003 Publisher: Villeurbanne : Institut d'art contemporain,

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Adrian Piper


Book
Escape to Berlin : a travel memoir
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ISBN: 9783981376340 398137634X Year: 2018 Publisher: Berlin, Germany Adrian Piper Research Archive Foundation Berlin

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Piper, Adrian,


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Adrian Piper : a reader.
Authors: --- --- --- --- --- et al.
ISBN: 9781633450332 1633450333 Year: 2018 Publisher: New York The Museum of Modern Art

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"Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them". Artbook& website (viewed on May 4, 2018)

Keywords

conceptual artists --- Piper, Adrian --- philosophy --- performance art --- mixed media works --- identity --- typescripts --- art criticism --- gelatin silver prints --- photography [process] --- Conceptual --- stats [copies] --- video art --- painting [image-making] --- Art --- ethnicity --- Piper, Adrian, --- African American women artists --- Conceptual art --- Performance art --- Interactive art --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- filosofie --- Verenigde Staten --- Arts, Modern --- Happenings (Art) --- Performing arts --- Afro-American women artists --- Women artists, African American --- Women artists --- Participatory art --- Social practice (Art) --- Piper, Adrian M. S., --- Criticism and interpretation. --- 700.6 --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- gender --- 705.9 --- genderexpressie --- Kant, Immanuel --- Kantiaans --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- kunstgeschiedenis, 21e eeuw --- #breakthecanon --- 7.07 --- Vrouwelijke kunstenaars --- Filosofie ; Immanuel Kant --- Kunst en racisme --- Conceptuele kunst --- Thema's in de kunst ; ras ; gender ; geslacht --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Piper, Adrian, - 1948 --- -African American women artists --- -Piper, Adrian, - 1948 --- -Art


Book
Individuals : Post-movement art in America
Authors: --- --- --- --- --- et al.
ISBN: 0525474285 Year: 1977 Publisher: New York : E.P. Dutton & Co, Inc. New York,

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Abish, Walter ; Acconci, Vito ; Anderson, Laurie ; Askevold, David ; Aycock, Alice ; Horvitz, Robert ; Lucier, Alvin ; Mayer, Bernadette ; Mayer, Rosemary ; Metz, Mike ; Morton, Ree ; Oppenheim, Dennis ; Piper, Adrian ; Simonds, Charles ; Wilson Kitchel, Nancy

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Verenigde Staten --- U.S.A.


Book
Blasted Allegories: An Anthology of Writings by Contemporary Artists

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Going out : walking, listening, soundmaking
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ISBN: 9789082649567 908264956X Year: 2022 Publisher: Brussels Umland editions

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Since the 1960s, the act of walking has provided a way for artists and musicians to escape the formality of the concert hall or institutional venue, engaging with shifting public spaces, natural environments, and the social and political sphere. Walking redefines notions of composer, performer, public, and music itself, while opening new modes of perception and action. Going Out addresses these developments by exploring the relationship between walking, listening, and soundmaking in the arts—from the first soundwalks and itinerant performances in the 1960s to today's manifold ambulatory projects. The book consists of an extensive essay by Elena Biserna followed by an anthology of historical and contemporary contributions in the form of documentation, essays, interviews, manifestos, scores, narratives, and reflections. Through the variety of these contributions, the book makes an argument that at the intersection of walking, listening, and soundmaking there is both a long legacy of interdisciplinary experimentations and a broad field that resounds with urgent issues in critical spatial thinking and practice.

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