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Photomontage --- Et la photographie --- Academic collection --- 77 --- 77 Fotografie --- Fotografie --- Photography --- Postmodernisme --- Photography, Artistic --- Photographie artistique --- Dibbets, Jan --- Criticism, interpretation, etc --- Photography [Artistic ] --- Netherlands --- Friedl Peter --- Heidegger Martin --- Orozco Gabriel --- surveillance --- bewaking --- panorama's --- Wittgenstein Ludwig --- Man Ray --- Nauman Bruce --- Krauss Rosalind --- 7.01 --- 77.01 --- film --- kunst en fotografie --- intermedia --- intermedialiteit --- kunsttheorie --- kunst --- fotografietheorie --- fotografie --- Et la photographie.

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We are all familiar with them: the porcelain figures, elephants and model ships that sit on windowsills behind dainty curtains. Simona Denicolai and Ivo Provoost have created an exhibition with them at the Centre for Fine Arts and in the streets of Brussels. They exhibit objects that they have found lying around in the public space and through them expose the nervous system of an urban environment, for these things also lie around in the collective consciousness. “The project EYELINER focuses on objects that are displayed in the windows of small merchants and on window ledges, and thus also focuses on the people that put them there. In our eyes, therefore the “exhibition” was already taking place. A selection of objects has been temporarily relocated to BOZAR and in the meantime, a placard has been put in place at the spot they have abandoned to indicate that the objects are currently on loan to another exhibition at the Centre for Fine Arts. You often read this kind of messages in museums when an artwork is being exhibited elsewhere for a period of time. These objects offer a more profound glimpse behind the scenes of the city. They take a covert look at what is happening on the other side of the façades. At first sight, they seem to have been set down casually. We looked for objects with a “will” to be exhibited, objects loaded with intentions and stories addressed to the passer-by. And yet sometimes the stories behind the objects are less straightforward. A lot of the objects on the window ledges of Brussels testify to the question of Belgium’s colonial past, as is the case with the African sculpture that a Portuguese family found on the street and displayed in their window, or in some pages - the less controversial ones - from the comic book Tintin in the Congo that an Italian student had used to cover his windows. Thus, every individual object, every relic of the past, fits into a wider discourse that is intertwined with the history and individuality of a place.”

Installation-art --- Fenêtre --- Bruxelles

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Réalisé par l'artiste belge Sophie Nys durant la période où elle habita à Zurich, ce livre d'artiste présente un ensemble de photographies montrant chacune des fontaines modernistes produites par le designer Alfred Aebersold dans les années 1970 et disséminées à travers la ville suisse. Les images sont agrémentées de légendes drôles et subtiles, rédigées par l'artiste d'origine écossaise habitant à Zurich Leila Peacock.

Nys, S. --- Photography, Artistic --- Fountains --- kunst --- kunstenaarsboeken --- artists' books --- conceptuele kunst --- concept art --- kunst en literatuur --- 7.071 NYS --- Nys Sophie --- kunst en openbare ruimte --- productdesign --- Gruppe 3 --- Aebersold Alfred --- stedelijkheid --- fonteinen --- fotografie --- Zürich --- Zwitserland --- België --- eenentwintigste eeuw --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Garden fountains --- Hydraulic structures --- Water in landscape architecture --- Nymphaea (Architecture) --- Aesthetics --- Photographie

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Godard, Jean-Luc (1930-....) --- Critique et interprétation --- Influence