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Cunningham, Merce --- Graham, Martha --- Wigman, Mary --- Dance. --- Rhythm. --- Movement, Aesthetics of. --- Danse --- Rythme --- Mouvement, Esthétique du --- Wigman, Mary, --- Graham, Martha. --- Cunningham, Merce. --- Mouvement, Esthétique du
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Theatrical science --- Translation science --- Poetry --- Literature
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Art --- Theatrical science --- Creation (Literary, artistic, etc.). --- Empathy in art. --- Philosophy.
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Deze uitgave is een bundeling van theoretische geschriften over afbeeldingen van vrouwen in cultuurproducten en hun rol in de totstandkoming ervan. Zowel kunst als populaire cultuur komen aan bod. Het werk is opgedeeld in drie grote hoofdstukken. In een eerste deel wordt, aan de hand van prakijkvoorbeelden zoals de kunstenares Frida Kahlo, familiefoto's en het werk van de Franse impressionisten, nagegaan hoe vrouwen worden afgebeeld en hoe ze zichzelf afbeelden. In een tweede deel wordt nagegaan wat de rol is van vrouwen in het productieproces en wat de gevolgen zijn van de aard van deze rol voor het uiteindelijke product. Hiervoor wordt onder meer de in feminisitsche middens controversiële film 'Thelma and Louise' geanalyseerd. In een laatste deel tenslotte wordt een feministische interventie op elk niveau van de cultuurproductie verdedigd.
Critique féministe --- Feminism and the arts --- Feminisme en kunst --- Feminist criticism --- Feministische kritiek --- Féminisme et arts --- Film --- Sociology of the family. Sociology of sexuality --- Sociology of literature --- Mass communications --- Art --- Depth psychology --- Music --- Theatrical science --- Human physiology --- Kahlo, Frida --- Feminism and the arts. --- Feminist criticism. --- Movies --- Viewing habits --- Psychoanalysis --- Literary criticism --- Television --- Theatre --- Theory --- Images of women --- Female body --- Biographical details --- Book
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Touch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the 'aisthesis' of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touched assembles seventeen interdisciplinary papers focusing on the question of how forms and practices of touch are connected with the evocation of feelings. Are these feelings evoked in different ways in tango, Contact improvisation, European and Japanese contemporary dance? The contributors to this volume (dance, literature, and film scholars as well as philosophers and neuroscientists) provide in-depth discussions of the modes of transfer between touch and being touched. Drawing on the assumptions of various theories of body, emotion, and senses, how can we interpret the processes of tactile touch and of being touched emotionally? Is there a specific spectrum of emotions activated during these processes (within both the spectator and the dancer)? How can the relationship of movement, touch, and emotion be analyzed in relation to kinesthesia and empathy?
Physiology: movement organs, voice and skin --- Theatrical science --- dances [performance events] --- Dance --- Muscular sense. --- Touch --- Feeling --- Haptic sense --- Haptics --- Tactile perception --- Tactual perception --- Somesthesia --- Kinaesthesia --- Kinesthesia --- Muscle sense --- Myesthesia --- Proprioception --- Movement, Psychology of --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Physiological aspects. --- Dance. --- emotion. --- movement.
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