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Bramante’s skill in controlling the creation of a seamlessly conceived space shows how architecture can exploit its representative capacity of internal perspectives, considered architecture integration. The key adopted to reach this result is the “architectura picta” of the built space. It adopts built space combined with small apparatuses to conceal the critical points in which the continuity between real and virtual space is resolved. The multiplication of centers amplifies the effectiveness of the perspective, making it convincing from several points of view, even for a moving observer. The implicit perceptual effect overcomes the geometric correctness, which was neglected to enhance its effectiveness as a tool for creating a global and augmented art “ante litteram”. The research published in this volume documents, through a small number of selected cases studies, the unsuspected development in Lombardy in applying perspective decoration to architecture, understood in the broadest sense as the art of constructing artificial space. This latter consists of controlling the instruments of representation to improve perceptive involvement and visual communication. It underlines the continuity of Milanese perspective with the immersive spaces of augmented reality offered today by digital technology.

Theory of architecture --- Perspective --- Architectural Perspective --- Architectural Survey --- Virtual spaces --- Spatial design --- Perception and spatial communication

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Bramante’s skill in controlling the creation of a seamlessly conceived space shows how architecture can exploit its representative capacity of internal perspectives, considered architecture integration. The key adopted to reach this result is the “architectura picta” of the built space. It adopts built space combined with small apparatuses to conceal the critical points in which the continuity between real and virtual space is resolved. The multiplication of centers amplifies the effectiveness of the perspective, making it convincing from several points of view, even for a moving observer. The implicit perceptual effect overcomes the geometric correctness, which was neglected to enhance its effectiveness as a tool for creating a global and augmented art “ante litteram”. The research published in this volume documents, through a small number of selected cases studies, the unsuspected development in Lombardy in applying perspective decoration to architecture, understood in the broadest sense as the art of constructing artificial space. This latter consists of controlling the instruments of representation to improve perceptive involvement and visual communication. It underlines the continuity of Milanese perspective with the immersive spaces of augmented reality offered today by digital technology.

Perspective --- Architectural Perspective --- Architectural Survey --- Virtual spaces --- Spatial design --- Perception and spatial communication

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Augmented Reality (AR) and Artificial Intelligence (AI) are technological domains that closely interact with space at architectural and urban scale in the broader ambits of cultural heritage and innovative design. The growing interest is perceivable in many fields of knowledge, supported by the rapid development and advancement of theory and application, software and devices, fueling a pervasive phenomenon within our daily lives. These technologies demonstrate to be best exploited when their application and other information and communication technology (ICT) advancements achieve a continuum. In particular, AR defines an alternative path to observe, analyze and communicate space and artifacts. Besides, AI opens future scenarios in data processing, redefining the relationship between man and computer. In the last few years, the AR/AI expansion and relationship have raised deep transdisciplinary speculation. The research experiences have shown many cross-relations in Architecture and Design domains. Representation studies could arise an international debate as a convergence place of multidisciplinary theoretical and applicative contributions related to architecture, city, environment, tangible and intangible Cultural Heritage. This book collects 66 papers and identify eight lines of research that may guide future developments.

Product design --- Artificial intelligence --- Representation, Augmented Reality, Artificial Intelligence, Drawing, 3D Modeling, Survey, Visual Communication, Cultural Heritage, Innovative Design

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• Reference Manager
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Augmented Reality (AR) and Artificial Intelligence (AI) are technological domains that closely interact with space at architectural and urban scale in the broader ambits of cultural heritage and innovative design. The growing interest is perceivable in many fields of knowledge, supported by the rapid development and advancement of theory and application, software and devices, fueling a pervasive phenomenon within our daily lives. These technologies demonstrate to be best exploited when their application and other information and communication technology (ICT) advancements achieve a continuum. In particular, AR defines an alternative path to observe, analyze and communicate space and artifacts. Besides, AI opens future scenarios in data processing, redefining the relationship between man and computer. In the last few years, the AR/AI expansion and relationship have raised deep transdisciplinary speculation. The research experiences have shown many cross-relations in Architecture and Design domains. Representation studies could arise an international debate as a convergence place of multidisciplinary theoretical and applicative contributions related to architecture, city, environment, tangible and intangible Cultural Heritage. This book collects 66 papers and identify eight lines of research that may guide future developments.

Representation, Augmented Reality, Artificial Intelligence, Drawing, 3D Modeling, Survey, Visual Communication, Cultural Heritage, Innovative Design