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77.04 --- 77 "19" --- 77.01 --- 76 "19" --- Artistieke fotografie. Foto's naar het onderwerp --- Fotografie--20e eeuw. Periode 1900-1999 --- Fotografie--Semiotiek van de fotografie. Theorie --- Grafische kunsten. Grafiek. Prentkunst--20e eeuw. Periode 1900-1999 --- Art and history. --- Art, Modern --- Identity (Psychology) in art. --- Memory in art. --- 76 "19" Grafische kunsten. Grafiek. Prentkunst--20e eeuw. Periode 1900-1999 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- 77.04 Artistieke fotografie. Foto's naar het onderwerp --- Art and history --- Identity (Psychology) in art --- Memory in art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- History and art --- History --- History in art
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In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise. By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home-we find traces of photography's "fugitive subjects" throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.
Photography, Artistic --- Photography --- Photographic interpetation. --- Philosophy. --- Social aspects. --- History. --- photographs, photography, 19th century, image, imagery, humanities, history, historical, media, literature, literary, film, graphic novel, sense of self, identity, roland barthes, camera lucida, ridley scott, blade runner, austerlitz, alison bechdel, fun home, fugitive subjects, artistic, cultural studies, culture, contemporary, representation, analysis, criticism, truth, material witness, photographic interpretation.
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Anselm Kiefer and Art after Auschwitz examines the legacy of German-Jewish culture in the aftermath of the Holocaust. Positioning Kiefer as a deeply learned artist who encounters and represents history in painted, rather than written form, Lisa Saltzman contends that his work is unique among post-war German artists in his persistent exploration of the legacy of fascism. Formally, thematically, and philosophically, Kiefer's work probes the aesthetic and ethical dilemma of representing the unrepresentable, the historical catastrophe into whose aftermath the artist was born. Kiefer's work mediates the relationship between a deeply traumatic history that he, as a German born after World War II, and his post-Holocaust spectators cannot fully know, but to which his work bears witness and provides access.
Kiefer, Anselm, --- Criticism and interpretation. --- Psychology. --- Kiefer, Anselm --- Psychology --- Criticism and interpretation
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Arts, Modern --- Psychic trauma in art. --- Psychoanalysis and the arts. --- Psychological aspects.
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Photography, Artistic --- Photography --- Photographic interpetation --- Philosophy --- Social aspects --- History --- Photography, Artistic - Philosophy --- Photography - Social aspects --- Photography - History
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Much of contemporary photography and video seems haunted by the past, by the history of art, by apparitions that are reanimated in reproductive mediums, live performance, and the virtual world (p. 11). Focusing especially on work created since 2001, Haunted traces the widespread integration of photography into contemporary art since the 1960s. Includes artists such as Marina Abramović, Bernd and Hilla Becher, Sophie Calle, Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Joan Jones, Sherrie Levine, Sally Mann, Christian Marclay, Robert Rauschenberg, Cindy Sherman, Hiroshi Sugimoto, Jeff Wall, and Andy Warhol.
Photographie artistique --- Art vidéo --- Photography, Artistic --- Video art --- Performance art --- Gaskell, Anna, --- Helms, Adam, --- Lowman, Nate, --- 77 <064> --- 791.43.098 --- kunst --- fotografie --- kunst en fotografie --- videokunst --- video-installaties --- performances --- fotografie en performances --- eenentwintigste eeuw --- archieven --- twintigste eeuw --- landschapsfotografie --- architectuurfotografie --- trauma's --- dood --- politiek --- kunst en politiek --- Abramovic Marina --- Beshty Walead --- Becher Bernd --- Becher Hilla --- Boltanski Christian --- Calle Sophie --- Casebere James --- Chan Paul --- Charlesworth Sarah --- Collier Anne --- Crewdson Gregory --- Dean Tacita --- Demand Thomas --- Devlin Lucinda --- Douglas Stan --- Finch Spencer --- Garaicoa Carlos --- Gaskell Anna --- Gersht Ori --- Goicolea Anthony --- Gonzalez-Torres Felix --- Gordon Douglas --- Haendel Karl --- Hansen Markus --- Harrison Rachel --- Helms Adam --- Hernandez Anthony --- Horn Roni --- Huyghe Pierre --- Jacob Luis --- Johnson Sarah Anne --- Jonas Joan --- Khan Idris --- Kruger Barbara --- Lambri Luisa --- Le An-My --- Leonard Zoe --- Levine Sherrie --- Lichtenstein Miranda --- Lowman Nate --- Mann Sally --- Mapplethorpe Robert --- Marclay Christian --- McCollum Allan --- McEwen Adam --- McGinley Ryan --- Mendieta Ana --- Messager Anne --- Noland Cady --- Pane Gina --- Parreno Philippe --- Prince Richard --- Raad Walid --- Rauschenberg Robert --- Renno Rosangelo --- Rosler Martha --- Sala Anri --- Sherman Cindy --- Smithson Robert --- Sugimoto Hiroshi --- Tschäpe Janaina --- VanDerBeek Sara --- Wall Jeff --- Warhol Andy --- Wearing Gillian --- Weiner Lawrence --- 7.038/039 --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Video's. Videofilms. Videoclips. Videokunst --- Exhibitions --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Art vidéo.
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Iconography --- Art --- Film --- art [discipline] --- video art --- projections [visual works] --- public spaces --- kunstsociologie --- Wodiczko, Krysztof
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Christian spirituality --- Iconography --- Jesus Christ --- Christianity and art --- Passion narratives (Gospels) --- Gospel passion narratives --- Narratives, Passion (Gospels) --- Art and Christianity --- Art --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Passion.
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Marina Abramovic; Eija-Liisa Ahtila; Kutlug Ataman; Uta Barth; Tom Burr; Sophie Calle; Paul Chan; Desire Machine Collective; Stan Douglas; Cherryl Dunye; Kota Ezawa; Jef Geys; Liam Gillick; Shumona Goel; Felix Gonzalez-Torres; Sharon Hayes; Susan Hiller; Roni Horn; Craigy Horsfeld; Pierre Huyghe; Amar Kanwar; William Kentridge; Idreis Kahn; Zoe leonard; Ilan Lieberman; Glen Ligon; Elisabeth Manchester; Kabir Mohanty; Robert Morris; RabihMroué; Jun Nguyen-Hatsushiba; Uriel Orlow; Philippe Parreno; Walid Raad; Anri Sala; Fazal Sheikh; Lorna Simson; Vivan Sundaram. Luc Tuymans
hedendaagse kunst --- art theory --- Art --- thema's in de kunst --- art [fine art] --- memory --- psychology --- Contemporary [style of art] --- Khan, Idris --- Parreno, Philippe --- Horn, Roni --- Gonzalez-Torres, Felix --- Ataman, Kutlug --- Sala, Anri --- Burr, Tom --- Sundaram, Vivan --- Hayes, Sharon --- Geys, Jef --- Kanwar, Amar --- Ahtila, Eija-Liisa --- Simpson, Lorna --- Leonard, Zoe --- Hiller, Susan --- Ezawa, Kota --- Walker, Kara --- Douglas, Stan --- Orlow, Uriel --- Ligon, Glenn --- Tuymans, Luc --- Gillick, Liam --- Abramovic, Marina --- Morris, Robert --- Barth, Uta --- Nguyen-Hatsushiba, Jun --- Kentridge, William --- Dunye, Cheryl --- Chan, Paul --- Raad, Walid --- Mroué, Rabih --- Sheikh, Fazal --- Huyghe, Pierre --- Horsfield, Craigie --- Calle, Sophie --- anno 1900-1999 --- anno 2000-2099 --- Memory in art. --- Arts, Modern --- Mémoire dans l'art --- Arts --- Memory in art --- kunst --- twintigste eeuw --- geheugen --- archieven --- archivering --- tijd --- tijdelijkheid --- Abramovic Marina --- Ahtila Eija-Liisa --- Ataman Kutlug --- Barth Uta --- Burr Tom --- Calle Sophie --- Chan Paul --- Desire machine collective --- Douglas Stan --- Dunye Cheryl --- Ezawa Kota --- Geys Jef --- Gillick Liam --- Goel Shumona --- Gonzalez-Torres Felix --- Hayes Sharon --- Hiller Susan --- Horn Roni --- Horsfield Craigie --- Huyghe Pierre --- Kanwar Amar --- Kentridge William --- Khan Idris --- Leonard Zoe --- Lieberman Ilan --- Ligon Glenn --- Manchester Elizabeth --- Mohanty Kabir --- Morris Robert --- Mroué Rabih --- Nguyen-Hatsushiba Jun --- Orlow Uriel --- Parreno Philippe --- Raad Walid --- Sala Anri --- Sheikh Fazal --- Simpson Lorna --- Sundaram Vivan --- Tuymans Luc --- Walker Kara --- 7.038/039 --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; geheugen ; herinnering in de kunst --- Adaptatie ; assimilatie in de kunst ; 20ste en 21ste eeuw --- Mémoire dans l'art --- Kunst --- psychologie --- kunsttheorie --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline] --- memory [psychological concept]
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