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Il n'y a pas beaucoup de peintres hormis Bernard Frize qui emploient de manière aussi complète et aussi variée toutes les possibilités de la couleur fondées sur la matérialisaté de cette substance. Peindre sert à la représentation selon la conception traditionnelle. La question de savoir ce qu'est l'image ne préoccupe pas Frize. En tant que peintre, il se révèle ingénieur et chimiste. Dans sa conviction de ne plus vouloir ni pouvoir inventer d'images, il élabore des techniques picturales engendrant hasard et automatisme et étudie la couleur comme matière première de son activité.
Painting, Abstract --- Peinture abstraite --- Exhibitions. --- Expositions --- Frize, Bernard --- Couleur --- Peinture --- kunst --- twintigste eeuw --- Frize Bernard --- 75.071 FRIZE --- abstracte schilderkunst --- abstractie --- schilderkunst --- Frankrijk --- Exhibitions --- art [fine art] --- Frize, Bernard. --- Painting, Abstract - France - Exhibitions --- Frize, Bernard - Exhibitions
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"This comprehensive monograph explores the conceptual complexity and diversity of Claes Oldenburg's early work to reveal this influential artist's extraordinary inventiveness. Accompanying an exhibition of Oldenburg's seminal early work, this publication examines the breadth of his artistic career from the late 1950s to 1970. It features works including the landmark installations The Street and The Store and their accompanying performances; the highly influential spectacular sculptures of everyday objects as well as drawings and preparatory collages for public projects from the 1960s. The book traces the development of Oldenburg's practice as it follows his work up to the Mouse Museum. Also included in the publication is an extensive chronology, alongside notes as well as a variety of installation views that showcase the careful consideration given to modes of presentation. In addition to imagery of his Pop icons, this richly illustrated book contains an extensive selection of drawings, collages, and magazine and newspaper clippings as well as a wealth of previously unpublished notebook pages, preparatory studies, and photographs taken by the artist. This volume probes diverse aspects of his work to offer fresh perspectives on Oldenburg's artistic development and unprecedented insights into the conceptual process of his artistic explorations"--
Oldenburg, Claes, --- Exhibitions. --- 7.07 --- 7.038 --- udc --- 73.07 --- Beeldende kunst ; 20ste eeuw ; 1960-1970 ; Cl. Oldenburg --- Soft sculptures --- Oldenburg, Claes Thure °1929 (°Stockholm, Zweden) --- Pop-Art --- Van Bruggen, Koosje --- Performances --- Environmental art --- Beelden buiten --- Beeldhouwkunst ; kolossale beelden van dagelijkse gebruiksvoorwerpen --- Kunst in de stad --- Urban Art --- Street Art ; installaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Beeldhouwkunst ; beeldhouwers A - Z --- Oldenberg, Ḳlaʼes, --- Exhibitions --- Oldenburg, Claes --- Oldenburg, Claes, - 1929- - Exhibitions --- Oldenburg, Claes, - 1929 --- -Oldenburg, Claes, --- -7.038 --- -Oldenburg, Claes, - 1929
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Art --- art [discipline] --- Oldenburg, Claes --- anno 1900-1999 --- United States of America
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In 2007, Ulrike Müller found an inventory list describing a collection of feminist T-shirts at the Lesbian Herstory Archives in Park Slope, Brooklyn. Over the next few years, she selected and handed out descriptions to 100 artists, inviting them to retranslate the texts into drawings. The result, Herstory Inventory: 100 Feminist Drawings by 100 Artists (2009–2012), is a collaborative rethinking of feminist imagery that opens up a space for diverse expressions of political desire.
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kunst --- fotografie --- postkaarten --- installaties --- Leonard Zoe --- eenentwintigste eeuw --- Verenigde Staten --- 77.071 LEONARD --- Exhibitions --- Leonard, Zoe --- Niagara Falls (N.Y. and Ont.) --- Postcards in art
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Pop [fine arts styles] --- pop-art --- Oldenburg, Claes --- anno 1960-1969
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Video art --- Video installations (Art) --- Multimedia (Art) --- Birnbaum, Dara --- Birnbaum Dara --- 791.471 BIRNBAUM --- 7.071 BIRNBAUM --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Videokunst ; film ; 1975-2010 ; Dara Birnbaum --- Birnbaum, Dara °1947 (°New York, Verenigde Staten) --- Sociaal geëngageerde kunst --- Kunst en feminisme --- Kunst ; van vrouwen --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. ; Stedelijk Museum voor Actuele Kunst --- Kunst nieuwe technieken ; video, laser, computer, klank, --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- film --- video --- videokunst --- feminisme --- gender studies --- televisie --- collages --- kunst en politiek --- 791.45 --- 778.5.07 --- Gender Studies --- Exhibitions --- Screen-reliant installations (Art) --- Installations (Art) --- Film installations (Art) --- Art --- Film --- video art --- United States --- Sociaal geëngageerde kunst --- United States of America
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Gorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career.
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