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In den 1980er Jahren schufen die Komponisten Hans Peter Kuhn für Robert Wilsons »Bildtheater« und Leigh Landy für Heiner Müllers »Sprechtheater« eine neue Klangebene aus Bühnenmusik und Tongestaltung. In diesem Band schildern Kuhn und Landy ihre Ansätze für einen Theatersound, der die elektroakustischen Möglichkeiten in eine eigene Ästhetik transformierte und den Theaterbesuchenden eine räumliche Hörerfahrung ermöglichte. Die weiteren theater- und musikwissenschaftlichen Beiträge gehen anhand der Werke von Kuhn und Landy dem vernachlässigten Thema ›Klang‹ der ebenso flüchtigen ›Theaterinszenierung‹ nach. »Interessante Analysen.« Florian Vaßen, Zeitschrift für Theaterpädagogik, 10 (2016)
Theatermusik; Sounddesign; Elektroakustische Musik; Raumklang; 1980er Jahre; Ästhetik; Hans Peter Kuhn; Robert Wilson; Leigh Landy; Heiner Müller; Theater; Musik; Theaterwissenschaft; Theatergeschichte; Musikwissenschaft; Musikgeschichte; Theatre Music; Sound Design; Electroacoustics; Surround Sound; 1980s; Aesthetics; Theatre; Music; Theatre Studies; History of Theatre; Musicology; Music History --- Wilson, Robert, --- Kuhn, Hans Peter, --- Landy, Leigh, --- Müller, Heiner, --- 1980s. --- Aesthetics. --- Electroacoustics. --- Heiner Müller. --- History of Theatre. --- Music History. --- Music. --- Musicology. --- Robert Wilson. --- Sound Design. --- Surround Sound. --- Theatre Studies. --- Theatre.
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The title of this book and the exhibition it documents--Sounds Like Silence--is ambiguous. On the one hand, silence effectively "sounds"--or as Cage put it, "There is no such thing as silence." On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with--provided it even exists? John Cage's 4'33"" (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer's own variations, derivatives, and sequels of the "silent piece" in the years from 1962 to 1992.
kunst --- muziek --- kunst en muziek --- twintigste eeuw --- Verenigde Staten --- Cage John --- stilte --- Allen Dave --- Böll Heinrich --- de Boer Manon --- Brand Jens --- vom Bruch Klaus --- Cage against the machine --- Conrads Martin --- Creed Martin --- Cunningham Merce --- Davis Paul --- Debord Guy --- DeLaurenti Christopher --- Einstürzende Neubauten --- von Hausswolff Carl Michael --- Heitjohann Jens --- Huyghe Pierre --- Keats Jonathon --- Klein Yves --- Kollektivnye Deystviya --- Collective actions --- Korn Christoph --- Kubota Shigeko --- LaBelle Brandon --- Lohner Henning --- Marclay Christian --- Muresan Ciprian --- Nauman Bruce --- Neuhaus Max --- Paik Nam June --- People like us --- Bennett Vicki --- Petschulat Hein-Godehart --- Rauschenberg Robert --- Rogalsky Matt --- Saladin Matthieu --- Schmidt Harald --- Schneider Helge --- Söderström-Kelley Petri --- Stilinovic Mladen --- Ultra-red --- Vitiello Stephen --- Wearing Gillian --- Whyte Dick --- 7.038/039 --- 78 --- 7.071 CAGE --- Exhibitions --- Cage, John --- Cage, John. --- Cage, John, 1912-1992 --- Music --- Cage, John - Exhibitions --- Cage, John. - 4'33", - no. 1 - Exhibitions --- Cage, John. - 0'00" - Exhibitions --- Cage, John. - 4'33", - no. 1 --- Cage, John. - 0'00"
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