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physicochemical processes --- metal --- Conservation. Restoration --- Spectrometric and optical chemical analysis --- fysicochemie --- Metals and their compounds --- restorative processes and techniques --- Applied arts. Arts and crafts --- Art objects --- Metallographic specimens --- Metallography --- Alloys --- Conservation and restoration --- Metallographic specimens. --- Metallography. --- Conservation and restoration. --- Conservation of art objects --- Preservation of art objects --- Restoration of art objects --- Specimens, Metallographic --- Grinding and polishing --- Metallic alloys --- Metallic composites --- Metals --- Phase rule and equilibrium --- Amalgamation --- Microalloying --- Microscopy --- Physical metallurgy --- Art objects - Conservation and restoration --- Alloys - Metallography
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The 300 years between the accession of the Tudors and the loss of the American colonies witnessed one of history's great national transformations: the creation of 'Britain' and its emergence as the world's greatest maritime power. This age saw the break with Rome and the establishment of English and Scottish Protestant kingdoms; the beginning of party politics; the forging of a powerful, high-taxing centralized state out of the chaos of the mid-seventeenth-century Civil Wars; and the winning and losing of Britain's 'first' empire in America. In this wide-ranging new study, David Scott challenges traditional assumptions about how Britain achieved her global might. Patriotism and constitutional ideals competed with baser motives, or were sidelined by the impact of dynastic accident and the vagaries of war. LEVIATHAN tells the story of the religious fanaticism, political hatred, profiteering, and hunger for power that made Britain great. British History.
Great Britain --- Great Britain --- Great Britain --- History --- History --- History
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restauratie (kunst) --- corrosion [condition changing process] --- restoration [process] --- metaal --- Conservation. Restoration --- Fe (ijzer) --- Materials sciences --- iron [metal] --- conservatie --- staal --- corrosie --- preserving --- Metallurgy --- steel [alloy] --- metal --- Ironwork --- Conservation and restoration.
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This book provides a comprehensive introduction to the metallographic study of ancient metals. Metallography is important both conceptually as a microstructural science and in terms of its application to the study of ancient and historic metals. Metallography is a well-established methodology for the characterization of the microstructure of metals, which continues to be significant today in quality control and characterization of metallic properties. Not only does the metallographic examination of ancient metals present its own challenges in terms of sample size and interpretation of evidence, but it must be integrated with archaeological data and cultural research in order to obtain the most meaningful results. Issues of authentication and the establishment of fakes and forgeries of metallic artefacts often involve metallographic evidence of both metal and patina or corrosion interface, as an essential component of such a study. The present volume sets out the basic features of relevant metallic systems, enhanced with a series of examples of typical microstructural types, with illustrative case studies and examples throughout the text derived from studies undertaken by the two authors. This book provides a comprehensive presentation of metallography for archaeologists, archaeometallurgists, conservators, conservation scientists and metallurgists of modern materials. .
Metallography. --- Materials. --- Cultural heritage. --- Archaeology. --- Chemistry, Physical organic. --- Surfaces (Physics). --- Metallic Materials. --- Cultural Heritage. --- Spectroscopy and Microscopy. --- Physical Chemistry. --- Characterization and Evaluation of Materials. --- Physics --- Surface chemistry --- Surfaces (Technology) --- Chemistry, Physical organic --- Chemistry, Organic --- Chemistry, Physical and theoretical --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Engineering --- Engineering materials --- Industrial materials --- Engineering design --- Manufacturing processes --- Materials --- Metals. --- Spectroscopy. --- Microscopy. --- Physical chemistry. --- Materials science. --- Material science --- Physical sciences --- Chemistry, Theoretical --- Physical chemistry --- Theoretical chemistry --- Chemistry --- Analysis, Microscopic --- Light microscopy --- Micrographic analysis --- Microscope and microscopy --- Microscopic analysis --- Optical microscopy --- Optics --- Analysis, Spectrum --- Spectra --- Spectrochemical analysis --- Spectrochemistry --- Spectrometry --- Spectroscopy --- Chemistry, Analytic --- Interferometry --- Radiation --- Wave-motion, Theory of --- Absorption spectra --- Light --- Spectroscope --- Metallic elements --- Chemical elements --- Ores --- Metallurgy --- Qualitative --- Analytical chemistry
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David A. Scott Pigments, corrosion products, and minerals are usually considered separately, either as painting materials or as the deterioration products of metals, even though they are often the same compounds. This 190-year review of the literature on copper and its alloys integrates that information across a broad spectrum of interests that are all too frequently compartmentalized. The author discusses the various environmental conditions to which copper alloy objects may be exposed-including burial, outdoor, and indoor museum environments-and the methods used to conserve them. The book also includes information on ancient and historical technologies, the nature of patina as it pertains to copper and bronze, and the use of copper corrosion materials as pigments. Chapters are organized primarily by chemical corrosion products and include topics such as early technologies, copper chlorides and bronze disease, the chemistry and history of turquoise, Egyptian blue and other synthetic copper silicates, the organic salts of copper in bronze corrosion, and aspects of bronze patinas. A detailed survey of conservation treatments for bronze objects is also provided. Four appendixes cover copper and bronze chemistry, replication experiments for early pigment recipes, a list of copper minerals and corrosion products, and X-ray diffraction studies.
restauratie (kunst) --- Sculpture --- restoration [process] --- bronskunst --- koperen kunstvoorwerpen --- Conservation. Restoration --- Metals and their compounds --- conservatie --- metalen --- preserving --- Applied arts. Arts and crafts --- metal --- Bronzes --- Copper --- Copperwork --- Conservation and restoration. --- Corrosion. --- Corrosion --- Conservation and restoration --- sculpture in the round --- bronzes [visual works] --- coating [process] --- corrosion [condition changing process] --- patina [condition] --- bronze disease --- protective coating --- cuprous sulfide --- bronze [metal] --- copper [metal] --- mineral pigment --- benzotriazole --- copper sulfide --- copper chloride --- copper carbonate --- synthetic inorganic pigment --- preservative --- Cuivre --- Dinanderie --- Conservation et restauration. --- Copper - Corrosion --- Copperwork - Conservation and restoration --- Bronzes - Conservation and restoration --- antieke beeldhouwkunst
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In this book, Roger D. Woodard argues that when the Greeks first began to use the alphabet, they viewed themselves as participants in a performance phenomenon conceptually modeled on the performances of the oral poets. Since a time older than Greek antiquity, the oral poets of Indo-European tradition had been called 'weavers of words' - their extemporaneous performance of poetry was 'word weaving'. With the arrival of the new technology of the alphabet and the onset of Greek literacy, the very act of producing written symbols was interpreted as a comparable performance activity, albeit one in which almost everyone could participate, not only the select few. It was this new conceptualization of and participation in performance activity by the masses that eventually, or perhaps quickly, resulted in the demise of oral composition in performance in Greece. In conjunction with this investigation, Woodard analyzes a set of copper plaques inscribed with repeated alphabetic series and a line of what he interprets to be text, which attests to this archaic Greek conceptualization of the performance of symbol crafting.
Greek language --- Greek literature --- Alphabet --- History --- History and criticism --- Greek language. --- Text. --- Alphabet. --- Greek literature. --- Griechisch. --- History. --- History and criticism. --- Grec (Langue) --- Littérature grecque --- Histoire --- Histoire et critique --- Greek language - Alphabet --- Greek language - History --- Greek literature - History and criticism
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