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The Rubáiyát by the Persian poet 'Umar Khayyaem (1048-1131) is used in contemporary Iran as a resistance literature, symbolizing the secularist voice in cultural debates. While Islamic fundamentalists criticize Khayyaem as an atheist and materialist philosopher who questions God's creation and the promise of reward or punishment in the hereafter, secularist intellectuals see in him an example of a scientist who scrutinizes the mysteries of the world. Others see a spiritual master, a Sufi, who guides people to the truth. This volume collects eighteen essays on the history of the reception of 'Umar Khayyaem in various literary traditions, exploring how his philosophy of doubt, carpe diem, hedonism, and in vino veritas has inspired generations of poets, novelists, painters, musicians, calligraphers and film-makers.
Ramaz ̄an ̄i, Muhsin. --- Quatrains, Persian --- Languages & Literatures --- Germanic Languages --- Indo-Iranian Languages & Literatures --- Quatrains, Persian. --- Omar Khayyam. --- Persian quatrains --- Omar Khayyam --- Criticism and interpretation. --- Influence. --- Persian poetry
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Inleidend overzicht van het Soefisme, een mystieke tak van de Islam.
297*2 --- 297*2 Soefisme --- Soefisme --- Islam
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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ’s original use of candle metaphors, the translation of Khayyām’s metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
Persian poetry --- Imagery (Psychology) in literature. --- Metaphor in literature. --- Poetics --- LITERARY CRITICISM --- History and criticism. --- History. --- General.
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This book is the first study of Persian literary riddles to appear in English, analysing a wide range of complex riddling poems systematically from the tenth to the twelfth century. In addition to the genre of riddles, the book examines the relationship between metaphors and riddles and the genre of literary description.
Riddles belong to the oldest genre in many literary traditions. Riddles were composed at courts in the Iranian world for various purposes, such as highlighting the courtly insignia that refer to the ruler's administrative and military power. The aesthetic of puzzlement was much appreciated at courts. Through a riddle, the poet aims to demonstrate his artistic accomplishment in a short space; and at the same time he secures his social, professional and personal position at the court and in cultured circles. Literary riddles occur in the early specimens of Persian literature from the tenth century and they continue to be used in modern Iranian society.
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The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors have approached them using a variety of techniques. Some chapters outline the poetic and mystical dimensions of Abbas Kiarostami's movies. Other chapters describe the effects of the Islamic Revolution on codes of morality and their expression in film as well as on directors' tactics in response to the new theocratic system.
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Iran, film, cinematic techniques, Abbas Kiarostami, Islamic Revolution.
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Gog and Magog, as archetypes of evil, have dwelt in our consciousness since their threatening appearance in the Bible and Quran. Maps, literature and texts ranging from Medieval Europe, the Byzantine and Arab world, in Berber, Persian and Indonesian traditions, to contemporary internet texts: all use these imaginary monstrous creatures. The figures are constantly reinterpreted as the enemies of order change. This volume reveals in eight essays the images of the 'Other' in genres ranging from contemporary folk religion on the internet to the rich literary heritage of Alexander romances.
Evil in literature. --- End of the world --- End of the world (Islam) --- Apocalyptic literature. --- Eschatology. --- Other (Philosophy) in literature. --- Good and evil in literature. --- Biblical teaching.
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One Word - Yak Kaleme was one of the first treatises in the Middle East to demonstrate that Islam is compatible with modern western forms of government, and specifically that sharia principles can be incorporated in a codified law comparable to that found in Europe. This was a daring argument in the late 19th century, when it was extremely difficult to convince the rulers and religious class that a civil code of law was needed: would it not diminish the ruler's status, would it not disqualify the sharia, the religious law?In One Word, the author argues that the principles underlying constituti
Law --- Islamic law --- Rule of law --- Constitutional law --- Acts, Legislative --- Enactments, Legislative --- Laws (Statutes) --- Legislative acts --- Legislative enactments --- Jurisprudence --- Legislation --- Supremacy of law --- Administrative law --- European influences --- History --- Mustashār al-Dawlah, Yūsuf ibn Kāẓim, --- Iran --- Politics and government --- República Islâmica do Irã --- Irã --- Persia --- Northern Tier --- Islamic Republic of Iran --- Jumhūrī-i Islāmī-i Īrān --- I-lang --- Paras-Iran --- Paras --- Persia-Iran --- I.R.A. --- Islamische Republik Iran --- Islamskai︠a︡ Respublika Iran --- I.R.I. --- IRI --- ايران --- جمهورى اسلامى ايران --- Êran --- Komarî Îslamî Êran --- Islam & Law --- islam --- law --- Code of law --- Europe --- God --- God in Islam --- Persian Empire --- Persians --- Quran --- Sharia --- Surah --- Mustashār al-Dawlah, Yūsuf ibn Kāẓim, - -1895 or 1896 - Yak kalimah
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Gog and Magog, as archetypes of evil, have dwelt in our consciousness since their threatening appearance in the Bible and Quran. Maps, literature and texts ranging from Medieval Europe, the Byzantine and Arab world, in Berber, Persian and Indonesian traditions, to contemporary internet texts: all use these imaginary monstrous creatures. The figures are constantly reinterpreted as the enemies of order change. Gog and Magog have been represented with dog heads, snake tongues. On the covers of contemporary Arab apocalyptic literature they may be giants or half-humans.This volume Embodiments of Evil: Gog and Magog reveals in eight essays the images of the ‘Other’ in genres ranging from contemporary folk religion on the internet to the rich literary heritage of Alexander romances.
Apocalyptic literature. --- End of the world (Islam) --- End of the world (Islam). --- End of the world --- Eschatology. --- Gog en Magog --- Good and evil in literature. --- Other (Philosophy) in literature. --- LITERARY CRITICISM / Middle Eastern. --- Biblical teaching. --- gtt. --- Literary Criticism, Culture Studies, Gog and Magog. --- Last things (Theology) --- Religious thought --- Theology, Doctrinal --- Evil in literature --- Good in literature --- Islamic eschatology --- Literature, Apocalyptic --- Literature
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