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Vlaanderen kent in de dertiende en de eerste helft van de veertiende eeuw een bloeitijd van Arturromans in de volkstaal. In episodische verhalen, te onderscheiden van lijvige pseudo-historische romans, geniet de dappere en hoofse ridder Walewein, de neef van koning Artur, een geweldige reputatie. Vreemd, en vragend om een verklaring, is dat Walewein slechts een kleine en ook nog eens ontluisterende rol speelt in 'Die Riddere metter Mouwen', een roman die als invoeging in de beroemde Lancelotcompilatie bewaard is gebleven. In een lang artikel in 'Miraudijs, Walewein en 'ic' bespreekt Simon Smith wat de reden van Waleweins degradatie geweest kan zijn. De tweede bijdrage in het boekje is korter. Hierin bespreekt Smith de 'ic' in 'Die Riddere metter Mouwen', met als vraagstelling wie er achter deze vertelinstantie schuilgaat.

Medieval Dutch literature --- Ridder metter mouwen --- Epic poetry, Dutch --- Dutch poetry --- History and criticism --- Roman van den riddere metter mouwen. --- Flemish poetry --- Dutch literature --- Dutch epic poetry --- Riddere metter mouwen

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Post-communist transformation in the former Soviet bloc has had a profound effect, not just in the political and economic sphere, but on all aspects of life. Although a great deal has been written about transformation, much of it has been about transformation viewed from the top, and little has been written about how things have changed for ordinary people at the local level. This book, based on extensive original research, examines the changes resulting from transformation at the local level in the form Czechoslovakia. It considers especially local democracy, social movements, and work collectives, and paints a picture of people gradually growing in self-confidence and taking more control of their communities, having lived for decades in a framework where so much was directed from the top.

Civil society --- Post-communism --- Postcommunism --- World politics --- Communism --- Social contract --- Société civile --- Post-communisme --- Postcommunisme

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"Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness"--

Dramatic music --- Dramatic music. --- English drama --- English drama --- English drama --- English drama. --- Music and literature. --- Music and literature. --- Music in literature. --- Music in the theater. --- Music in the theater. --- Music --- Music. --- Theater --- Theater. --- History and criticism --- Early modern and Elizabethan. --- History and criticism --- History and criticism --- History and criticism --- History --- 1500-1699. --- 1600-1699. --- England.

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This book examines two new roles that journalists assume in a participatory media environment – the administration (moderation) of online discussion and the monitoring of and engagement in comments below their articles. The author argues that it is precisely because both roles are treated as peripheral and undignified in newsrooms that they are so revealing, following the maxim: to make sense of what professions are and where they are heading, look at their boundaries and their dirty work. Based on a three-year ethnographic study, it offers key insights about the role of the media as democratic intermediaries in political participation, the creative possibilities for ‘amateurs’ as co-producers of digital news, the changing character of the knowledge professions and the dynamics of organisational innovation. The book argues that as media organisations face a crisis in their ability to represent the public, the challenge is to orchestrate participatory journalism as a collective accomplishment in which everyone is not a journalist but everyone can be a contributor. Bridging the divides between communication studies, linguistics, STS, organisational and occupational sociology it will interest social scientists and media studies experts.

Journalism --- Sociology --- Ethnology. Cultural anthropology --- Mass communications --- etnografie --- sociologie --- sociale media --- co-creation --- communicatie --- journalisten

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Business management --- persoonlijk leiderschap --- management