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Literature --- Mimesis in literature. --- Play in literature. --- History and criticism --- Theory, etc. --- Philosophy. --- 82:1 --- -Mimesis in literature --- Play in literature --- -82.0 --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Literatuur en filosofie --- Philosophy --- -Theory, etc --- Literatuurtheorie --- 82.0 Literatuurtheorie --- 82:1 Literatuur en filosofie --- Mimesis in literature --- 82.0 --- Literature and philosophy --- Philosophy and literature --- History and criticism&delete& --- Theory, etc --- Theory --- Literature History and criticism
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Pure sciences. Natural sciences (general) --- Philosophy of science --- Aesthetics --- 796.011 --- Aesthetics, Modern --- Play (Philosophy) --- -Science --- -Natural science --- Science of science --- Sciences --- Philosophy --- Modern aesthetics --- Filosofie van de lichaamscultuur en sport --- History --- -History --- Aesthetics, Modern. --- Science --- History. --- -Filosofie van de lichaamscultuur en sport --- 796.011 Filosofie van de lichaamscultuur en sport --- -Modern aesthetics --- Natural science --- Philosophy&delete& --- Natural sciences
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After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and introduction to Aristotle's Poetics, and , in the thirties, through the work of the Chicago school, also centered around Aristotle. More recently, mimesis looms large in the work of Auerbach, Burke and Frye.
792.01 --- Mimesis in literature --- 82.09 --- 82.09 Literaire kritiek --- Literaire kritiek --- Representation (Literature) --- Imitation in literature --- Realism in literature --- 792.01 Theater: theorie; esthetica --- Theater: theorie; esthetica --- Mimesis in literature.
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After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and introduction to Aristotle's Poetics, and , in the thirties, through the work of the Chicago school, also centered around Aristotle. More recently, mimesis looms large in the work of Auerbach, Burke and Frye.
Mimesis in literature. --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Literary semiotics --- Mimesis in literature
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Mihai Spariosu here explores the significance of the closely linked concepts of play and aestheticism in philosophical and scientific discourse since the end of the eighteenth century. Spariosu points out that since its birth in archaic and classical Hellenic thought the concept of play has always been subject to the influences of various rational and prerational sets of values. Spariosu maintains that there have been not one but two major modern concepts of aestheticism: artistic aestheticism, related to a prerational mentality and introduced in modern thought by Schopenhauer and Nietzsche; and philosophicalscientific aestheticism, initiated by Kant and Schiller and shaped by rationalism. According to Spariosu, the first has often arisen in response to the attempts of philosophy and science to impose their standards on art, and the second has often been called on to deal with the epistemological crises that periodically shake these disciplines. Spariosu also looks closely at some of the play concepts that surface in modern science in connection with the Darwinian theory of evolution and the play of scientific discourse itself, as exemplified by the new physics and the contemporary philosophy of science.A penetrating and cogently argued book, Dionysus Reborn will be welcomed by readers interested in Continental philosophy, scientific discourse, and the aesthetics of play, including literary theorists, comparatists, philosophers, intellectual historians, and social scientists.
Aesthetics, Modern. --- Play (Philosophy) --- Science --- Ancient History & Classical Studies. --- Performing Arts & Drama. --- History. --- Philosophy
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This book explores exile and utopia as correlated phenomena in Western culture, arguing that they have engendered the exilic-utopian imagination as one of the major components of the modern, power-oriented mentality. Spariosu argues that utopian projects, whether religious or socio-political, virtual or actual, are often generated by an exilic consciousness that attempts to compensate for its groundlessness, which it perceives negatively, as ontological lack or emptiness. The author supports his argument with a wealth of examples, ranging from the Epic of Gilgamesh, the Old Testament, Sophocles' Oedipus at Colonus and Plato's dialogues in Antiquity to 20th century literary masterpieces produced at the height of European Modernism, including Joseph Conrad's Heart of Darkness, Arthur Koestler's Darkness at Noon, Aldous Huxley's Brave New World, Thomas Mann's Joseph and his Brothers, and Mikhail Bulgakov's The Master and Margarita. -- Provided by publisher.
Utopias. --- Exile (Punishment) --- Modernism (Christian theology) --- Modernism (Literature) --- Utopias in literature --- Loss (Psychology) in literature --- Exile (Punishment) in literature --- Liminality in literature --- Emptiness (Philosophy) in literature --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Utopian literature
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The growing interdependence of the local and the global demand innovative approaches to human development. Such approaches, the author argues, ought to be based on the emerging ethics of global intelligence, defined as the ability to understand, respond to, and work toward what will benefit all human beings and will support and enrich all life on this planet. As no national or supranational authority can predefine or predetermine it, global intelligence involves long-term, collective learning processes and can emerge only from continuing intercultural research, dialogue, and cooperation. In this book, the author elaborates the basic principles of a new field of intercultural studies, oriented toward global intelligence. He proposes concrete research and educational programs that would help create intercultural learning environments designed to stimulate sustainable human development throughout the world.
Philosophy and psychology of culture --- World history --- Cross-cultural studies --- Multiculturalism --- International education --- Multicultural education --- Education and globalization --- Culture and globalization --- Anthropology --- Social Sciences --- Social & Cultural Anthropology --- Globalization and culture --- Globalization and education --- Intercultural education --- Global education --- Cultural diversity policy --- Cultural pluralism --- Cultural pluralism policy --- Ethnic diversity policy --- Comparison of cultures --- Inter-cultural studies --- Intercultural studies --- Trans-cultural studies --- Transcultural studies --- Government policy --- Globalization --- Education --- Culturally relevant pedagogy --- Intellectual cooperation --- Internationalism --- Social policy --- Anti-racism --- Ethnicity --- Cultural fusion --- Culture --- Ethnology --- Social sciences --- Methodology --- Culturally sustaining pedagogy --- History --- recent history --- modern history --- global intelligence --- glocal --- sustainability --- historiography --- history of the present --- Ethnography --- Internet service provider --- Open access
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European literature --- Play (Philosophy) --- Literature --- Ethics in literature. --- Aesthetics --- Philosophy --- History and criticism. --- History. --- Aesthetics.
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