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Photographic criticism --- Photography --- Social aspects. --- fotografie --- fotografietheorie --- twintigste eeuw --- seriële fotografie --- fotografie en maatschappij --- Steichen Edward --- Frank Robert --- Becher Bernd --- Becher Hilla --- Becher Bernd & Hilla --- 77.036 --- Photography criticism --- Criticism --- Social aspects --- Photography - Social aspects.

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Couvrant le monde entier, de l’Europe, du Japon et des États-Unis à l’Afrique, à Cuba et au Mexique, "Collectivism after Modernism" explore les façons dont les collectifs fonctionnent dans le cadre des normes culturelles, des conventions sociales et de l’art sanctionné par les entreprises ou l’État. Ensemble, ces essais démontrent que le collectivisme survit en tant que pratique artistique influente malgré le star system d’individualité du monde de l’art. Ce livre fournit la compréhension historique nécessaire pour penser à travers la pratique collective postmoderne, maintenant et dans le futur. Contributeurs : Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Ruben Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovib, Reiko Tomii, Rachel Weiss.

82:7 --- Literatuur en kunst --- 82:7 Literatuur en kunst --- Art and society --- Art and society. --- Arts, Modern --- Collectivism --- Collectivism. --- Group work in art --- Gruppenarbeit. --- Kunst. --- Künstler. --- Künstlervereinigung --- Künstlervereinigung. --- Ästhetik --- Ästhetik. --- History --- Philosophy. --- 20th century. --- Teamwork --- 1900-1999. --- Geschichte 1900-2000. --- Geschichte 1945-2004. --- Geschichte 2000-2050. --- Art --- Philosophy --- anno 1900-1999 --- Totalitarianism --- Communauté --- Art militant --- Art et politique --- Sociologie --- Groupe social --- Espace social --- Artiste et société --- Arts, Modern - 20th century - Philosophy --- Collectivism - History - 20th century --- Art and society - History - 20th century

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Stimson, Blake; Rasheed, Aareen; Fraser, Andrea; Laderman Ukeles, Mierle; Guerrilia Girls; Eichhorn, Maria; Rosler, Martha

ALBERRO, Alexander --- Institutional Critique (Art movement) --- Artists' writings. --- kunstenaarsgeschriften --- institutionele kritiek --- Aareen Rasheed --- Armaly Fareed --- art workers' coalition --- Battcock Gregory --- Boglione Osvaldo Mateo --- Bordowitz Gregg --- Borowski Wieslaw --- Bortolotti Aldo --- bureau d'études --- Carnevale Graciela --- critical art ensemble --- d'Arcangelo Christopher --- Eichhorn Maria --- Favario Eduardo --- Green Renée --- groupe de recherche d'art visuel --- group material --- guerilla art action --- guerilla girls --- institute for applied autonomy --- Knight John --- Kolbowski Silvia --- Lambert Steve --- Laibach --- Le Parc Julio --- little Warsaw --- Lublin Lea --- Mosset Olivier --- Müller Christian Philipp --- nsk --- Parmentier Michel --- Ptaszkowska Hanna --- Ramsden Mel --- repohistory --- RTMark --- Siekmann Andreas --- Steyerl Hito --- Tchorek Mariusz --- Ukeles Mierle Laderman --- Wochenklasur --- The yes men --- 7.071 AAAA --- Institutional Critique (Art movement). --- Artists' writings --- 7.01 --- Asher Michael --- Broodthaers Marcel --- Buren Daniel --- Dion Mark --- eenentwintigste eeuw --- Fraser Andrea --- Haacke Hans --- Kaprow Allan --- Kruger Barbara --- kunst --- kunst en politiek --- kunst en sociologie --- kunsttheorie --- Lawler Louise --- Norman Nils --- Piper Adrian --- politiek --- Rosler Martha --- Smithson Robert --- sociologie --- Tiravanija Rirkrit --- Toroni Niele --- twintigste eeuw --- Wilson Fred --- Art, Modern --- Artists' literary writings --- Writings of artists --- Literature --- Ecrit d'artiste --- Institutional critique --- Artists --- Interviews --- Attitudes.

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Die Publikation "The Colors of Photography" bietet ein vertieftes Verständnis von der Bedeutung von Farbe im Feld der Fotografie. Bis anhin hat die Farbfotografie stets das "Hier und Jetzt" markiert, während Schwarzweißfotografien mit unserem Geschichtsbild verknüpft wurden und so unser kollektives Gedächtnis geformt haben. Solche generalisierenden Dichotomien beginnen sich jedoch aufzulösen wenn man die ästhetische, kulturelle und politische Komplexität von Farbe in der Fotografie betrachtet. Mit Aufsätzen von Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder und Deborah Willis. Fotografische Beiträge von Hans Danuser, Charlotte Cotton und Raymond Meier. The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier.

Color photography --- Perception --- Photography

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Telecommunication technology --- computers --- virtual reality --- cybercultuur --- Youtube --- nieuwe media --- film --- filmtheorie --- mediatheorie --- mediakunst --- video --- online video --- videokunst --- kunst --- fotografie --- sociale netwerken --- mobiele media --- 791.5 --- Webcasting. --- Information society.