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Art --- Creation (Literary, artistic, etc.). --- Mind and body. --- Psychology. --- Creation (Literary, artistic, etc.) --- Mind and body --- Body and mind --- Body and soul (Philosophy) --- Human body --- Mind --- Mind-body connection --- Mind-body relations --- Mind-cure --- Somatopsychics --- Brain --- Dualism --- Philosophical anthropology --- Holistic medicine --- Mental healing --- Parousia (Philosophy) --- Phrenology --- Psychophysiology --- Self --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Psychology --- Psychological aspects

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In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing." Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.

Photography, Artistic --- Photography --- Philosophy --- Philosophy

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77 <09> --- 77 <01> --- 77 "19" --- 76:655.5 --- Edited by Andrew Roth ; Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, Neville Wakefield ; Catalogue by Vince Aletti, David Levi Strauss --- fotografie --- grafische vormgeving --- boeken --- fotoboeken --- boekontwerp --- twintigste eeuw --- Curtis Edward S. --- Coburn Alvin Langdon --- Strand Paul --- Moholy-Nagy László --- Krull Germaine --- Blossfeldt Karl --- Renger-Patzsch Albert --- Sander August --- Steichen Edward --- Adams Ansel --- Atget Eugène --- Cahun Claude --- Drtikol Frantisek --- Ernst Max --- Crevel René --- Lerski Helmar --- Ver Moï --- Salomon Erich --- Brassaï --- Ullman Doris --- Peterkin Julia --- Ray Man --- Lissitzky El --- Bellmer Hans --- Brandt Bill --- Hugnet Georges --- Bourke-White Margaret --- Caldwell Erskine --- Riefenstahl Leni --- Evans Walker --- Abbott Berenice --- Lange Dorothea --- Agee James --- Brodovitch Alexey --- Kertész André --- Styrsky Jindrich --- Heisler Jindrich --- Weegee --- Morris Wright --- Weston Edward --- Tmej Zdenek --- Capa Robert --- Doisneau Robert --- Cendrars Blaise --- Cartier-Bresson Henri --- Roy Claude --- Klein William --- Sudek Josef --- Van der Elsken Ed --- Avedon Richard --- Capote Truman --- Frank Robert --- Siskind Aaron --- Penn Irving --- Sommer Frederick --- Hosoe Eikoh --- Mishima Yukio --- Callahan Harry --- Beard Peter --- Gowin Emmet --- Kawada Kikuji --- Levitt Helen --- Ruscha Edward --- Mulas Ugo --- Warhol Andy --- Lyon Danny --- Winogrand Garry --- Becher Bernd & Hilla --- Davidson Bruce --- Friedlander Lee --- Lartigue Jacques-Henri --- Araki Nobuyoshi --- Clark Larry --- Samaras Lucas --- Arbus Diane --- Molinier Pierre --- Moriyama Daido --- Lesy Michael --- Owens Bill --- Adams Robert --- Baltz Lewis --- Meatyard Ralph Eugene --- Smith W. Eugene --- Eggleston William --- Meiselas Susan --- Mandel Mike --- Sultan Larry --- Model Lisette --- Clark Terry --- Peress Gilles --- Goldberg Jim --- Goldin Nan --- Weber Bruce --- Burke Bill --- Sternfeld Joel --- Fontcuberta Joan --- Formiguera Pere --- Ginsberg Allen --- Baumgarten Lothar --- Boltanski Christian --- Prince Richard --- LaChapelle David --- 77.036 --- Fotografie--Geschiedenis van ... --- Fotografie--Bibliografieën. Catalogi --- Fotografie--20e eeuw. Periode 1900-1999 --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- grafisch ontwerp --- CDL --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- 77 <01> Fotografie--Bibliografieën. Catalogi --- 77 <09> Fotografie--Geschiedenis van ... --- Curtis Edward S --- Fotografie--Geschiedenis van .. --- Photography, Artistic --- Photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Fotografie--Geschiedenis van . --- Aesthetics --- Fotografie--Geschiedenis van

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"The political crisis that sneaked up on America-the rise of Trump and Trumpism-has revealed the rot at the core of American exceptionalism. Recent changes in the way words and images are produced and received have made the current surreality possible; communication through social media, by design, maximizes attention and minimizes scrutiny. In 'Co-Illusion', the noted writer on art, photography, and politics David Levi Strauss bears witness to the new "iconopolitics" in which words and images lose their connection to reality. The collusion that fueled Trump's rise was the secret agreement of voters and media consumers-their "co-illusion"--To set aside the social contract." -- Strauss offers dispatches from the epicenter of our constitutional earthquake, writing first from the 2016 Democratic and Republican conventions and then from the campaign. After the election, he switches gears, writing in the voices of the regime and of those complicit in its actions-from the thoughts of the President himself ("I am not a mistake. I am not a fluke, or a bug in the system. I am the System") to the reflections of a nameless billionaire tech CEO whose initials may or may not be M.Z. Finally, Strauss shows us how we might repair the damage to the public imaginary after Trump exits the scene. Photographs by celebrated documentary photographers Susan Meiselas and Peter van Agtmael accompany the texts.

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