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From the contents: Patricia Stirnemann, Johan Maelwael, the Van Lymborch Brothers and the Très riches Heures de Jean de Berry / Eberhard König, The Master of St. Jerome: one of the Van Lymborch Brothers / Inès Villela-Petit, The Drawn Hours: a New Masterpiece of the Van Lymborch Brothers / Dieter Röschel, Ships and more? Motives and Narratives in the Van Lymborch Hours / Christine Seidel, Remarks on the drawing technique in the Drawn Van Lymborch Hours / Rob Camps, New Lights on the Maelwael family in Nijmegen / Rob Dückers, Influences of the Van Lymborch Brothers: The Block Book of Saint Servatius / Laurent Hablot, The Van Lymborch Brothers: Heraldic Painters? The Position of Heraldry and Emblematic Realisations in the Art of the Van Lymborch Brothers / Johan Oosterman, Commissioned by Mary of Guelders Relationships between the French and Guelders Court.

Limbourg, Pol de, --- Limbourg, Herman de, --- Limbourg, Jean de, --- Malouel, Jean, --- 091.31 "13/15" --- Verluchte handschriften--?"13/15" --- 091.31 "13/15" Verluchte handschriften--?"13/15" --- Painting, Dutch --- Painting, Dutch - 14th century --- Limbourg, Herman de, - ca. 1385-ca. 1416 --- Limbourg, Jean de, - ca. 1385-ca. 1416 --- Limbourg, Pol de, - ca. 1385-ca. 1416 --- Malouel, Jean, - approximately 1365-1415

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This is the first book to survey the entire career of Joris Ivens, a prolific documentary filmmaker who worked on every continent over the course of seven decades. More than a biography of a leftist committed to changing the world through film, The Conscience of Cinema is also a microcosmic history of the documentary and its form, culture, and place within twentieth-century world cinema. Ivens worked in almost every genre, including the essay, compilation, hybrid dramatization, socialist realism, and more. Whether in his native Netherlands, the Soviet Union, the United States, Vietnam, or beyond, he left an indelible artistic and political mark that continues to resonate in the twenty-first century.

Documentary films --- History and criticism. --- Ivens, Joris, --- film theory and criticism --- media and communications --- cinema --- joris ivens --- documentary --- twentieth century

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Painting --- Limburg, van [Brothers] --- Malouel, Jean --- paintings [visual works] --- Netherlands

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The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s. It is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its place within world cinema as a whole throughout the twentieth century. Ivens worked in almost every genre of documentary, including the essay, compilation, hybrid dramatization, direct cinema, social observation, the solidarity film, socialist realism, agitprop activism. In this book, detailed filmic analysis is enriched by a profound historical understanding of the contexts in which Ivens carried out his vision, from his native Netherlands to the Soviet bloc, USA, France, Latin America, Vietnam and finally China. Everywhere, Joris Ivens left an indelible artistic and political mark, critically relevant to a twenty-first century where documentary has reclaimed its cultural and political centrality.

Ivens, Joris --- film --- documentaire film --- twintigste eeuw --- Nederland --- Ivens Joris --- 794.471 IVENS