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Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association.

Migration, immigration & emigration --- Motion pictures --- Emigration and immigration in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Media & Communications --- immigrant --- minor cinema --- Transnational Film Historiography --- Public Sphere --- Film and Migration --- Accented cinema --- exilic cinema --- diasporic cinema --- film policy --- Swedish film history --- fabulation --- film curating

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Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association.

Emigration and immigration in motion pictures. --- Motion pictures --- History.

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Collective Traumas is about the traumatic European history of the 20th century – war, genocide, dictatorship, ethnic cleansing – and how individuals, communities and nations have dealt with their dark past through remembrance, historiography and legal settlements. Memories, and especially collective memories, serve as foundations for national identities and are politically charged. Regardless whether memory is used to support or to challenge established ideologies, it is inevitably subject to political tensions. Consequently, memory, history and amnesia tend to be used and abused for different political and ideological purposes. From the perspectives of historical, literary and visual studies the essays focus on how the experiences of war and profound conflict have been represented and remembered in different national cultures and communities. This volume is a vital contribution to memory studies and trauma theory.

Collective memory. --- Atrocities --- War crimes --- War --- Mémoire collective --- Atrocités --- Crimes de guerre --- Guerre --- History --- Psychological aspects. --- Histoire --- Aspect psychologique --- Europe --- Miscellanea. --- Historiography. --- Miscellanées --- Historiographie --- Mémoire collective --- Atrocités --- Miscellanées --- Collective memory --- Génocide --- 20e siècle

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Film --- Sweden --- Experimental films --- Animated films --- Video art --- History and criticism. --- Cinéma expérimental --- Animation (cinéma) --- Art vidéo --- Suède --- Histoire et critique --- Cinéma expérimental --- Animation (cinéma) --- Art vidéo --- Suède