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No detailed description available for "Myth and Music".

Music and mythology. --- Music --- Philosophy and aesthetics. --- Semiotics. --- Semiotics --- Wagner, Richard --- Stravinski, Igor --- Sibelius, Jean --- -Music --- -Music and mythology --- Mythology and music --- Mythology --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Philosophy and aesthetics --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Philosophy --- Music and mythology --- Music theory --- Sémiotique et musique --- Sémiotique et musique.

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La sémiotique existentielle est une nouvelle théorie et approche philosophique de l'étude des signes et de la communication. Ses racines se situent dans la sémiotique classique (Claude Lévi-Strauss, Algirdas Julien Greimas), relu et revalorisé à la lumière de la tradition philosophique allemande et "existentielle" (Kant, Hegel, Kierkegaard, Husserl, Heidegger, Jaspers, Hannah Arendt, Gabriel Marcel et Jean-Paul Sartre). Aujourd'hui, la sémiotique existentielle suscite beaucoup d'intérêt et de débats entre les savants à travers le monde.

Semiotics --- Music --- Sémiotique --- Sémiotique et musique --- Sémiotique --- Sémiotique et musique --- Sémiotique. --- Art. --- Existentialisme. --- Musique. --- existentialisme --- Sémiologie.

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Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.

Music --- Symbolism in music. --- Philosophy and aesthetics. --- Semiotics. --- Symbolism in music --- Semiotics --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics --- Philosophy

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Eero Tarasti advances a semiotic theory of music based on information provided by the history of Western music and by various sign theories. A Theory of Musical Semiotics is at the same time a study of music as a narrative art. It analyzes musical works through the theoretical frameworks of narratology and French structural semiotics, especially that of A.J. Greimas. Tarasti views other theories from the "classical" semiotic tradition, from Saussure to Peirce to Lotman, as possible foundations of musical semiotics. A Theory of Musical Semiotics provides a model for the semiotic analysis of both musical structure and semantics. It introduces the English-language reader to musical narratology, a field of inquiry that until recently has remained largely the province of European researchers.

Music --- Music theory. --- Musical analysis. --- Music theory --- Musical analysis --- Music Philosophy --- Music, Dance, Drama & Film --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music appreciation --- Musical theory --- Theory of music --- Semiotics --- Semiotics. --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Theory

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Existential semiotics is a new paradigm in the studies of signs, signification and communication. This book develops its theory further starting from the continental philosophy (Kant, Hegel, Jaspers, Heidegger, Arendt, Sartre) on one hand, yet remaining also faithful to the tradition of the European semiotics, particularly the Paris school.From the notions of being, doing and appearing the study applies them to crucial social problems of the contemporary world, and moreover to various so-called 'lesser arts' like performance and gastronomy. It also introduces some precursors of the approach.The book represents what can be called neosemiotics, the search for new theories and fields of the discipline.

Semiotics --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Philosophy.