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Music --- Musique --- History and criticism --- Histoire et critique --- Stravinsky, Igor, --- Stravinsky, Igor, 1882-1971 --- Criticism and interpretation --- Sources --- Critique et interprétation --- Critique et interprétation --- Stravinsky, Igor Fyodorovich --- Russian influences --- Criticism and interpretation. --- Sources. --- Music. --- Volkscultuur. --- Culturele invloeden. --- Russia. --- Muzyka --- Historia i krytyka --- Stravinskij, Igor Fedorovič, --- krytyka i interpretacja.
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"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's greatest national composer. [Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was--an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat."--From the foreword Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.
Mussorgsky, Modest Petrovich --- -Criticism and interpretation --- 526 --- Monografieën componisten en uitvoerders --- Mussorgsky, Modest Petrovich, --- Mussorgsky, Modest, --- Musorgskij, Modest Petrovič, --- Mussorgski, Modest P., --- Moussorgsky, Modeste Petrovich, --- Moussorgsky, Modest Petrovich, --- Moussorgski, Modeste Petrovich, --- Moessorgskie, Modest Petrowietsj, --- Musorgskiĭ, M. P. --- Musorhsʹkyĭ, Modest Petrovych, --- Musorgskis, Modests, --- Mussorgsky, M. --- Musorgskiĭ, Modest Petrovich, --- Mussorgskij, Modest Petrowitsch, --- Musorgsky, Modest Petrovich, --- Moussorgsky, M. --- Musorgski, --- Musorgsky, M. --- Musorgskij, Modesto, --- Musorgskij, M. --- Mussorgskij, Modesto, --- Мусоргский, Модест Петрович, --- Criticism and interpretation. --- Musorgsky, Modest Petrovich --- Criticism and interpretation --- Musorgskij, Modest P. --- MUSIC / History & Criticism. --- Abraham, Gerald. --- Aristotle. --- Billington, James. --- Blyma, Franz Xaver. --- Ceausescu, Nicolae. --- Coates, Albert. --- Duhamel, Antoine. --- Emerson, Caryl. --- Fet, Afanasiy Afanasyevich. --- Free Music School. --- Gervinus, Georg Gottfried. --- Godet, Robert. --- Gypsy singers. --- Judic, Annie. --- Karlinsky, Simon. --- Kerman, Joseph. --- Laloy, Louis. --- Liszt, Franz. --- Malherbe, Charles. --- Martianus Capella. --- Mïshetsky, Prince. --- Newmarch, Rosa. --- Olkhovsky, Yuri. --- Orientalism. --- Peri, Jacopo. --- Pratsch, Johann Gottfried. --- Rathaus, Karol. --- Reilly, Edward. --- Riemann, Hugo. --- Rossini, Gioacchino. --- Rumyantsev, Sergey. --- Scribe, Eugène. --- Shestakova, Lyudmila. --- Streltsy Revolts. --- Tolstaya, Tatyana. --- Turner, Jane. --- Vernadsky, George. --- Wagner, Richard. --- Wiley, Roland John. --- Yugov, Alexey Kuzmich. --- anti-Semitism. --- censorship. --- historical drama. --- historical opera. --- imitation. --- narod. --- oprichnina. --- realism.
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Music --- History and criticism. --- History --- muziekgeschiedenis --- Musique --- Histoire et critique --- Histoire --- Muziekgeschiedenis --- Westerse muziek --- 16e eeuw --- Historische muziek --- 18e eeuw --- 17e eeuw --- 19e eeuw --- 20e eeuw
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Music --- History and criticism. --- History and criticism --- Musique --- Histoire et critique --- 20e siecle
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Music --- History and criticism. --- History and criticism --- Musique --- Histoire et critique --- 20e siecle
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Music --- History and criticism. --- History and criticism --- Musique --- Histoire et critique --- 19e siecle
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Music --- History and criticism. --- History and criticism --- Musique --- Histoire et critique --- 17e siecle --- 18e siecle
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Music --- History and criticism. --- 78.21 --- History and criticism --- Musique --- 500-1400 --- Histoire et critique --- 16e siecle --- 15e siecle
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Over the last dozen years, the writings of Richard Taruskin have transformed the debate about ""early music"" and ""authenticity."" Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical ve
Performance practice (Music) --- Style, Musical --- Music --- Composers --- Pratique de l'exécution (Musique) --- Style musical --- Musique --- Compositeurs --- Biography --- Biographies --- Mozart, Wolfgang Amadeus, --- Beethoven, Ludwig van, --- Musical style --- Musical performance practice --- Performing practice (Music) --- Philosophy and aesthetics --- Performance --- 78.50 --- Style, Musical.
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Music --- History and criticism. --- History and criticism --- Musique --- Histoire et critique --- Russia
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