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Political philosophy. Social philosophy --- Painting --- naturalism [artistic form of expression] --- Art styles --- political ideologies and attitudes --- anno 1800-1899 --- France
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History of the law --- anno 1200-1299 --- Great Britain --- Droit
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Drawing --- Whitworth Art Gallery [Manchester] --- anno 1800-1899 --- France --- Whitworth Art Gallery (Manchester) --- tekeningen --- 19de eeuw --- Frankrijk --- Whitworth Art Gallery (Manchester). --- tekeningen. --- 19de eeuw. --- Frankrijk.
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beeldende kunsten --- modernisme --- erotiek --- religies --- geschiedenis --- cultuurgeschiedenis --- sociale geschiedenis --- 1889 --- 1900 --- 19de eeuw --- 20ste eeuw --- Frankrijk --- Art and society --- Art, French --- Eighteen nineties. --- History --- Themes, motives. --- 7 <44> "18" --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Frankrijk--19e eeuw. Periode 1800-1899 --- 7 <44> "18" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Frankrijk--19e eeuw. Periode 1800-1899 --- Themes, motives --- Eighteen nineties --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Art --- Art and sociology --- Society and art --- Sociology and art --- 1890s --- 90s (Nineteenth century decade) --- Gay nineties --- Nineties (Nineteenth century decade) --- Nineteenth century --- Social aspects --- beeldende kunsten. --- modernisme. --- erotiek. --- religies. --- geschiedenis. --- cultuurgeschiedenis. --- sociale geschiedenis. --- 1889. --- 1900. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk.
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"In an innovative approach, Richard Thomson considers Claude Monet's paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes and gardens. Buildings fulfilled various roles in Monet's canvases; some are chiefly compositional devices while others throw into sharp contrast the forms of man-made construction against the irregularity of nature, or suggest the absent presence of humans. The theme was both central and consistent over five decades of his 60-year career. Written by a renowned expert on Impressionism, this book covers Monet's represntations of historical buildings, inner cities, beach resorts, railway bridges and stations, suburban housing and busy harbours - subjects spanning northern France, the Mediterranean, and the cities of Rouen, London, and Venice. In addition to 77 great paintings by Monet, this thematic, picture-led book includes a wealth of comparative material, such as postcards, posters and original travel photography that sets Monet's work firmly in its historical, culture, and social framework."
Art and architecture --- History. --- Monet, Claude, --- Criticism and interpretation. --- Architecture in art --- Buildings in art --- Impressionism (Art) --- Painting, French --- schilderkunst --- Frankrijk --- Monet Claude --- negentiende eeuw --- impressionisme --- postimpressionisme --- architectuur --- kunst en architectuur --- kunst --- 75.071 MONET --- French painting --- Paintings, French --- History and criticism --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד, --- Themes, motives. --- Exhibitions --- Groupe Finistère (Group of artists) --- landschappen --- monumenten --- stadsgezichten --- monument, standbeeld --- architectuur. --- stadsgezichten. --- monument, standbeeld. --- landschappen. --- Monet, Claude.
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Painting, French --- Peinture française --- Seurat, Georges, --- Seurat, Georges
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