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How have digital tools and networks transformed the far right's strategies and transnational prospects? This volume presents a unique critical survey of the online and offline tactics, symbols and platforms that are strategically remixed by contemporary far-right groups in Europe and the US. It features thirteen accessible essays by an international range of expert scholars, policy advisors and activists who offer informed answers to a number of urgent practical and theoretical questions: How and why has the internet emboldened extreme nationalisms? What counter-cultural approaches should civil societies develop in response? »Diese globale Perspektive ist mit Blick auf die grenzübergreifende Vernetzung der Akteure nur konsequent und bringt eine Vielzahl neuer Erkenntnisse mit sich.« Tobias Fernholz, Forschungsjournal Soziale Bewegungen, 32/3 (2019) Besprochen in: Rundbrief Begegnungszentrum für aktive Gewaltlosigkeit, 1 (2019)
Fascism & Nazism --- Fascism --- Right-wing extremists --- White nationalism --- Internet --- Digital media --- Political aspects --- Culture. --- Digital Media. --- Europe. --- European Politics. --- Far Right. --- Internet. --- Media Studies. --- Media. --- Political Science. --- Politics. --- Right-wing Extremism. --- Post-Digital; Far Right; Europe; Culture; Politics; Internet; Media; Right-wing Extremism; Digital Media; European Politics; Media Studies; Political Science --- Right-wing extremists. --- Political aspects. --- Far-right extremists --- Radicals --- Internet - Political aspects --- Digital media - Political aspects --- Post-Digital --- Far Right --- Europe --- Culture --- Politics --- Media --- Right-wing Extremism --- Digital Media --- European Politics --- Media Studies --- Political Science
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What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. The number and diversity of projects among the artists, writers, and publishers concerned with these matters show that it is time to move the question of publishing from the margin to the center of aesthetic and academic discourse.
publishing --- artists' books [books] --- Art --- art [fine art] --- Publishers and publishing. --- Book industries and trade. --- 766:655 --- 766:655.3 --- 766:655.26 --- Boekverzorging ; boekdesign --- Grafische vormgeving ; boekdesign ; lay-out --- Book trade --- Cultural industries --- Manufacturing industries --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Gebruiksgrafiek ; het drukken van boeken --- Gebruiksgrafiek ; typografie ; grafische vormgeving ; esthetica --- Publishing --- (lcsh)Publishers and publishing. --- (lcsh)Book industries and trade. --- Publishers and publishing --- kunst --- 766.023 --- kunsttheorie --- 7.01 --- 7.039 --- boekontwerp --- boekdesign --- boeken --- artists' books --- kunstenaarsboeken --- 766.11.01 --- Grafische industrie en ontwerp ; drager ; papier & boek ; theorie, filosofie, esthetica --- art [discipline]
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