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Women architects --- Femmes architectes --- History --- Histoire --- -72.03 --- 72.03 --- 72.035 --- 72.036 --- Verenigde Staten --- 72.01 --- 728 --- 396 --- gender --- vrouw --- architectuur --- architectuurgeschiedenis --- negentiende eeuw --- twintigste eeuw --- architecten --- architectenberoep --- vrouwen --- Women as architects --- Architects --- Addresses, essays, lectures --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- 19de eeuw (architectuur) --- Negentiende eeuw (architectuur) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuurtheorie --- Architectuur (theorie) --- Architectuurkritiek --- Architectuur (kritiek) --- Wonen --- Feminisme --- CDL

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I See / You Mean is an experimental novel about mirrors, maps, relationships, the ocean, elusive success, and possible happiness. Through a collage of verbal photographs, overheard dialogue, sexual encounters, found material, and self identi­fication devices (astrology, the I Ching, palmistry, Tarot), it charts from past to future the changing currents between two women and two men­: a writer, a model/stockbroker/maybe dictator, a photographer, and an actor. A lot happens between the lines. Art critic Lucy Lippard wrote this novel in 1970 and became a feminist in the process: “I started writing and realized I was ashamed to be a woman. Then I had to find out why. Then I got very angry. The fragmented visual form came out of contemporary art and the conflicting emotions of 1960s political confrontation; they suggested a new way to put things back together—an open-ended, female way that didn’t pretend conclusions.”

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The activities of Rem Koolhaas and his staff were widely discussed even before the foundation of the Office for Metropolitan Architecture in 1975. Today, many contributions on the work of OMA can be found in the international architectural press, including Koolhaas' own writings. The book contains about 150 selected texts—interviews, feature articles, essays, lead articles, reviews, letters, introductions, appraisals, and competition reports that have been compiled for the first time. This compilation not only provides a fresh and critical view of the oeuvre of one the most important contemporary architects, but also represents an account of the debate on architectural and urban design in recent decades.

bedrijven --- 728.8 --- 728.8 Vrijstaande woonhuizen. Burchten. Kastelen. Landgoederen. Landhuizen --- Vrijstaande woonhuizen. Burchten. Kastelen. Landgoederen. Landhuizen --- Critique architecturale --- Interview --- Revue d'architecture --- Koolhaas, Rem, 1944 --- -architectural theory --- Koolhaas, Rem --- Office for Metropolitan Architecture [Rotterdam] --- Architecture --- Criticism and interpretation --- Theory --- Koolhaas, Rem, --- Criticism and interpretation. --- architectural theory --- -Koolhaas, Rem --- Office for Metropolitan Architecture. --- 72.07 --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- OMA --- Architectuur ; architectuurtheorie ; Rem Koolhaas --- 72.01 --- OMA (Office for Metropolitan Architecture) --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- Koolhaas, Rem. --- Office for metropolitan architecture --- -Architecture

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Die wichtigsten Texte zu OMA / Rem Koolhaas The activities of Rem Koolhaas and his staff were widely discussed even before the foundation of the Office for Metropolitan Architecture in 1975. Today, many contributions on the work of OMA can be found in the international architectural press, including Koolhaas' own writings. The book contains about 150 selected texts-interviews, feature articles, essays, lead articles, reviews, letters, introductions, appraisals, and competition reports that have been compiled for the first time. This compilation not only provides a fresh and critical view of the oeuvre of one the most important contemporary architects, but also represents an account of the debate on architectural and urban design in recent decades.

Koolhaas, Rem. --- Office for Metropolitan Architecture.