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Dutch literature --- Wilson William. --- Judas Iskariot.

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Tricot, Xavier --- 7.071 TRICOT, XAVIER --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--TRICOT, XAVIER --- 7.071 TRICOT, XAVIER Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--TRICOT, XAVIER --- Grisaille painting --- Gray in art --- Painting --- Monochrome painting --- Exhibitions --- Exhibitions. --- grisaille --- 75.036 --- 75.036 Moderne schilderkunst (na 1900) --- Moderne schilderkunst (na 1900)

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Tricot, Xavier --- grisaille --- 7.071 TRICOT, XAVIER --- 75.036 --- 75.036 Moderne schilderkunst (na 1900) --- Moderne schilderkunst (na 1900) --- 7.071 TRICOT, XAVIER Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--TRICOT, XAVIER --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--TRICOT, XAVIER --- Exhibitions

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MAD-faculty 13 --- schilderkunst 19e-20e eeuw --- Ensor, James --- 76 ENSOR, JAMES --- 76 <493> "18/19" --- 76 <493> "18/19" Grafische kunsten. Grafiek. Prentkunst--België--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--België--Hedendaagse Tijd --- 76 ENSOR, JAMES Grafische kunsten. Grafiek. Prentkunst--ENSOR, JAMES --- Grafische kunsten. Grafiek. Prentkunst--ENSOR, JAMES

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During 1889, Belgian artist James Ensor (1860-1949) painted a monumental canvas that would be his magnum opus: 'The Entry of Christ into Brussels in 1889'. The work is one of the most complex paintings ever painted. It is only forty years after its completion that the monumental canvas was first publicly exhibited at the James Ensor retrospective at the Brussels Palais des Beaux-Arts in 1929. Needless to say, therefore, that the exhibiting of Ensor's work in 1929 was for many a revelation. Until then it had been seen and was known only to a limited group of visitors and insiders. Between 1889 and 1929, a veritable revolution had taken place in the visual arts. Before and during World War I, Fauvism, Cubism, Futurism, Expressionism, and Dadaism all came into being. Few explanations can accommodate the full daring and frenzy of such a painting which chaotic composition and barbaric style seem revolutionary, and look far beyond the early twentieth century. Since the purchase of the work in 1987 by the J. Paul Getty Museum (Los Angeles), The Entry has acquired cult status. No other work depicts the notion of belgitude so aptly as 'The Entry of Christ into Brussels in 1889', and yet the painting can in the first place be regarded as a somewhat quirky but striking representation of Ensor's vision of humanity.

Allegories --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Ensor, James, --- Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- ‏عيسىٰ‏ --- Ensor, James --- Ensor, James Sydney --- Ensor, James Sydney Edouard --- Painting --- easel paintings [paintings by form]