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A return to words of the Middle Ages in and of themselves, tracing the status of the medieval word from ontology to usage, encompassing its visual, acoustic, linguistic, and extralinguistic forms. This collection of essays is a return to words of the Middle Ages in and of themselves, uniting philologists, historians, epigraphers, palaeographers, and art historians. It probes the intellectual, technical, and aesthetic principles that underpin their use and social function in medieval graphical practices, from epigraphy and inscriptions, to poetics, ‘mots’, and ‘paroles’. By analysing the material and symbolic properties of a particular medium, the conditions in which texts become signs, and scribal expertise, the contributors address questions that initially seem simple yet which define the very foundations of medieval written culture. What is a word? What are its components? How does it appear in a given medium? What is the relationship between word and text, word and letter, word and medium, word and reader? In a Middle Ages forever torn between economic and extravagant language, this volume traces the status of the medieval word from ontology to usage, encompassing its visual, acoustic, linguistic, and extralinguistic forms.
Language and languages --- Historical linguistics. --- Etymology --- History. --- Philology, Modern --- Paleography
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Ce catalogue rassemble des antiquités grecques célébrant la beauté des corps. Plusieurs thèmes sont déclinés : le sport, la naissance, l'amour et le désir, le mariage et la mort, etc.
Figure sculpture, Greek --- Human beings in art --- Sculpture de figures humaines grecque --- Personnages dans l'art --- Exhibitions --- Exhibitions. --- Expositions --- Greece --- Grèce --- Antiquities --- Antiquités --- Sculpture --- Corps, thème --- Antiquité grecque --- Iconographie --- Grèce --- Antiquités --- Corps humain, thème
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Human anatomy --- Sculpture --- Antiquity --- Greece --- Human figure in art. --- Sculpture, Greek. --- Figure sculpture, Greek --- Corps humain dans l'art --- Sculpture grecque --- Sculpture de figures humaines grecque
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Sculpture --- Ancient Greek [culture or style] --- British Museum --- Antiquity --- British Museum (Londen) --- Griekse kunst --- menselijk lichaam --- Dood --- geboorte --- seksualiteit --- Exhibitions --- Pottery, Greek --- Sculpture, Greek --- Greek sculpture --- Greek pottery --- Classical antiquities --- Pottery, Classical --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- British Museum (Londen). --- Griekse kunst. --- menselijk lichaam. --- Dood. --- geboorte. --- seksualiteit. --- antieke beeldhouwkunst
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"Through word and image, this book explores the Greek portrayal of human character in art, along with sexual and social identity ... A series of lively introductory essays by leading scholars reveals aspects of how the Greeks themselves saw the human form both in life and art, following the reception of the reception of the Greek body into modern times. The book concludes with a reflection upon how the authentic Greek body came to be identified with the Parthenon sculptures, displacing all previous canons of Greek taste
Antiquités grecques --- --Antiquités grecques --- Antiquités grecques.
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Government employees --- Friendly societies --- Mutualiteiten
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This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features - annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles - are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.
091.14 --- 82.08 --- 091.14:655.26 --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- 82.08 Literaire activiteiten. Literaire technieken --- Literaire activiteiten. Literaire technieken --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- E-books --- Paratext --- Manuscripts, Medieval. --- History --- Geistesgeschichte. --- Intellectual History. --- Macht. --- Manuskript. --- Medieval Manuscripts. --- Mittelalter. --- Paratext. --- Power. --- LITERARY CRITICISM / Medieval. --- Paratext - History - To 1500. --- To 1500
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