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The twelve essays presented in this volume are drawn from the Fifth International Conference on Word and Music Studies held at Santa Barbara, CA, in 2005. The conference was organized and sponsored by The International Association for Word and Music Studies (WMA) and in its central section explored the theme of “Word/Music Adaptation”. In these wide-ranging papers, a great variety of cases of intermedial transposition between music, literature, drama and film are examined. The music of Berlioz, Biber, Chopin, Carlisle Floyd, Robert Franz, Bernard Herrmann, Liszt, Richard Strauss, Verdi, and pop singer Kate Bush confronts and commingles with the writings of Emily Brontë, Goethe, Nancy Huston, George Sand, and Shakespeare in these cutting-edge adaptation studies. In addition, four films are discussed: Wuthering Heights, Fedora, Otello, and The Notebook . The articles collected will be of interest not only to music and literary scholars, but also to those engaged in the study of adaptation theory, semiotics, literary criticism, narrative theory, art history, feminism or postmodernism.
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Jesuits --- Music --- Social aspects --- History --- Ravary, Francois --- Ravary, François --- China --- Europe --- China --- Social life and customs --- Relations --- Relations
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This book reveals the story of François Ravary, Jesuit missionary, musician, and organ builder. The mastermind behind the construction of the bamboo organs of nineteenth-century Shanghai, Ravary's unpublished letters from China present a vivid picture of the excitement and crises surrounding the Roman Catholic mission in the often-violent integration of global space of this time. Focusing on an individual life, this study adds needed perspective to histories of the treaty-port era. By shifting the inquiry towards a nuanced, empirical, and refocused evaluation of the landscape, Ravary is revealed as a humanist in the Christian tradition, curious about Chinese society and culture, as well as the force behind China's first brass band, first school orchestra, and other landmarks of Sino-European musical convergence. This book is a must-read for anyone interested in nineteenth-century China studies, cultural histories, and the diffusion of Western art practices.
Music --- Social aspects.
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By focusing on discussions of artistic works that show relationships between three individual communicative media, this volume adopts an innovative, trifocal interdisciplinary perspective: the traditional field of Word and Music Studies is here extended to include research on film and other forms of moving visualizations.
Motion picture music --- Motion pictures and music. --- Moving-pictures and music --- Music and motion pictures --- Music --- History and criticism.
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Theatrical science --- facsimile's --- opera's (genre) --- anno 1800-1899 --- Austria
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The nine interdisciplinary essays in this volume were presented in 2003 in Berlin at the Fourth International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The nine articles in this volume cover two areas: "Surveying the Field" and "Music and the Spoken Word". Topics include postmodernism, philosophy, German literary modernism, opera, film, the Lied , radio plays, and "verbal counterpoint". They cover the works of such philosophers, critics, literary figures, and composers as Argento, Beckett, Deleuze, Guattari, Feldman, Glenn Gould, Nietzsche, Schubert, Strauss, Wagner, and Wolfram. Three films are discussed: Casablanca , The Fisher King , and Thirty Two Short Films About Glenn Gould.
Music --- Philosophy and aesthetics --- Congresses --- Music and literature --- Music in literature --- Music in literature.
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Organ (Musical instrument) --- S13B/0800 --- Enharmonic organ --- Organ --- Organs --- Pipe organ --- Keyboard instruments --- History --- China: Christianity--Religious art and architecture --- Orgue (Instrument de musique) --- Eglise catholique --- Histoire
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