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"Tan pronto conoce a Ricardo Laverde, el joven Antonio Yammara comprende que en el pasado de su nuevo amigo hay un secreto, o quizá varios. Su atracción por la misteriosa vida de Laverde, nacida al hilo de sus encuentros en un billar, se transforma en verdadera obsesión el día en que éste es asesinado. Convencido de que resolver el enigma de Laverde le señalará un camino en su encrucijada vital, Yammara emprende una investigación que se remonta a los primeros años setenta, cuando una generación de jóvenes idealistas fue testigo del nacimiento de un negocio que acabaría por llevar a Colombia -- y al mundo -- al borde del abismo. Años después, la exótica fuga de un hipopótamo, último vestigio del imposible zoológico con el que Pablo Escobar exhibía su poder, es la chispa que lleva a Yammara a contar su historia y la de Ricardo Laverde, tratando de averiguar cómo el negocio del narcotráfico marcó la vida privada de quienes nacieron con él." --From publisher's description.
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De zoektocht naar de ware toedracht rond twee politieke moorden die de Colombiaanse geschiedenis van de twintigste eeuw hebben bepaald.
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In 2014, a man is apprehended at a museum in Bogotá trying to steal the suit that an assassinated politician wore on the day of his death. What is behind--and what is the link between--the 1914 attacks against Colombian senator Rafael Uribe Uribe--who would inspire García Márquez to create Aureliano Buendía from One Hundred Years of Solitude, the leader of the Liberal Party Jorge Eliecer Gaitán--whose death in 1948 would blow up the history of Colombia, and JFK in Dallas, Texas, on November 22, 1963? Carlos Carballo, the protagonist of this story, is a man obsessed with the past who looks for signs and clues to unravel history's secrets and lies. What happens if you look at all these crimes together? Is it possible that they might hold an answer? Juan Gabriel Vásquez, the author-narrator of the novel, had a strange privilege: to hold in his hands the mortal remains of those two politicians whose assassinations affected the 20th century in Colombia. This novel stems from that moment in his life. Those are the ruins described in the title. This is a tale about criminal investigations, but also about the relationship that we establish with the past and with political conspiracies, both real and imaginary. Why do they fascinate us? Why do we insist on searching for hidden culprits in the violent acts that have impacted our history? How do we inherit them even if they happened before we were born? By including himself as a narrator in a fiction work, Vásquez uses events in his own life--from the births of his daughters to the way that he came to hold the remains of two murdered men--to reflect about these topics.
Spanish-American literature --- Assassination --- Conspiracy --- Criminal investigation --- Asociación delictuosa --- Delitos --- Colombia --- History
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In 2009, Antonio Yammara recalls his relationship years before with Ricardo Laverde, a man with a hidden past who was killed in the days when the drug trade in Colombia was at its height, and examines its effects on everyone in the country.
Drogues --- Trafiquants de drogues --- Amitié masculine --- Trafic
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