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book (7)


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The Soviet Union and the Third world: an economic bind
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ISBN: 0030621496 9780030621499 Year: 1983 Publisher: New York (N.Y.): Praeger,

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Russian realist art : the state and society : the Peredvizhniki and their tradition
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ISBN: 0882332643 Year: 1977 Publisher: Ann Arbor : Ardis,

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Russian realist art : the state and society : the Peredvizhniki and their tradition
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ISBN: 0231069707 0231069715 Year: 1989 Publisher: New York : Columbia University Press,

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European socialism : a history of ideas and movements, from the industrial revolution to Hitler's seizure of power.
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Year: 1959 Publisher: Berkeley University of California press

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Ilya Repin and the world of Russian art
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ISBN: 0231069642 Year: 1990 Publisher: New York : Columbia University Press,

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From realism to the Silver Age
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ISBN: 0875807038 1501757040 9781609091620 1609091620 9780875807034 Year: 2014 Publisher: DeKalb, IL

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This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.

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