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Denijs van Alsloot (vers 1568 ?- 1625/26) fut incontestablement le principal paysagiste à Bruxelles au début du XVIIe siècle. Il sut rapidement s'attirer les faveurs de la cour, où il occupa une position privilégiée. Ses paysages, composés à la fois d'éléments empruntés à l'héritage bruegélien et à une iconographie courtoise issue de l'art de la tapisserie, semblent avoir visé en premier lieu une clientèle de princes, de courtisans et de grands commis de l'état. L'ouvrage explore pour la première fois de manière systématique les différentes facettes de la production connue de van Alsloot. Composé de deux parties, il propose une étude qui non seulement repose sur une analyse des œuvres du point de vue stylistique et technologique, mais les situe aussi dans le contexte des pratiques d'atelier de l'époque et dans celui de la politique artistique des archiducs.
court art --- landscapes [representations] --- oeuvre --- Alsloot, van, Denis --- Ommegang in de kunst --- Optochten [Historische ] in de kunst --- Pageants in art --- Praalstoeten in de kunst --- Processies in de kunst --- Processions dans l'art --- Processions in art --- Spectacles historiques dans l'art --- Painters --- Landscape painting, Belgian --- Landscape painting, Flemish --- Peintres --- Peinture de paysages belge --- Peinture de paysages flamande --- Alsloot, Denijs van, --- Alsloot, Denijs van (1568?-162.). --- van Alsloot, Denijs --- Isabel Clara Eugenia --- Art patronage --- Albert --- Sallaert, Anthonis --- Landscape painting [Flemish ] --- 17th century --- Genre painting [Flemish ] --- Pageants --- Belgium --- Brussels (Belgium) --- History --- Processions --- Peinture baroque
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blijde intrede. --- Tijdschriftartikel. --- stedelijke verfraaiing. --- Iconografie. --- Cultuurgeschiedenis. --- anno 1500-1599. --- Gent.
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Blijde Intrede (Gent, 1635) --- geschiedenis --- 16de eeuw --- Gent
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This book is the first publication on the building of the Academia Belgica in Rome, a residence for Belgian researchers and artists and a centre for scientific and cultural activities. Constructed between 1937 and 1939 by the Italian Gino Cipriani and the Belgian Jean Hendrickx-Van den Bosch, in a style both modernist and Art Deco, the building has maintained not only its original exterior but also in large parts its interior decorations and even furniture. The authors investigate the conception and realisation of the original building and its interior design programme, within the context of the cultural and political exchange between Belgium and Italy in the inter-war period. This richly illustrated volume includes original photographs of the building and its furniture, architectural plans, drawings and designs, plus a new series of commissioned photographs of the building by Belgian architectural photographer Maxime Delvaux.
Art, Belgian. --- Architecture. --- Academia Belgica (Rome, Italy) --- Architecture --- Art deco (Architecture) --- Modernism (Architecture and urbanism) --- Cipriani, Gino --- Hendrickx-Van den Bosch, Jean --- Academia Belgica (Rome, Italy). --- Public buildings --- academies [buildings] --- Art Deco --- Modernist --- anno 1930-1939 --- Rome --- Belgium --- interior architecture [discipline] --- Academia Belgica [Roma] --- Public architecture --- Bâtiments publics. --- Architecture publique. --- Academia belgica --- Histoire. --- Rome (Italie)
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Neyts, Gillis --- landschappen --- italianisanten --- 16de eeuw --- 17de eeuw --- Zuidelijke Nederlanden --- Landscapes in art --- Neyts, Gillis, --- Criticism and interpretation --- Vues. --- Dans l'art --- Exhibitions --- Influence --- Art [Ancient ] --- Vues --- Maasland --- Dans l'art. --- Landscapes in art - Catalogs --- Neyts, Gillis, - 1623-1687 - Catalogs --- Neyts, Gillis, - 1623-1687 - Criticism and interpretation --- landschappen. --- italianisanten. --- Neyts, Gillis. --- 16de eeuw. --- 17de eeuw. --- Zuidelijke Nederlanden. --- Maasland. --- Neyts, Gillis, - 1623-1687
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History of the Low Countries --- iconology --- winter --- landscapes [representations] --- Bruegel, Pieter [Elder] --- landschapsschilderkunst
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