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Architecture --- furnishings [works] --- interior design --- interior views --- interior decorators --- furnishing textile materials --- wabi --- Vervoordt, Axel

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In this book the authors investigate how iconology as a field and method, which originated within art history, relates to recent developments in the Humanities such as Anthropology and Visual Studies. The main questions are: How has iconology evolved in the past decennia, could it incorporate Anthropology and Visual Studies towards a new science of images? How have new disciplines profited from iconology and how can they in turn inspire and/or reinvent iconology? These questions are addressed within a wide historical and geographical scope, as we regard the tracing of pictorial meaning throughout time and space an essential characteristic of iconology. The selected specialists of this volume all have a specific involvement with the new tendencies in iconology today. The authors share their lectures, ideas, methods, old and current research for one common goal: the further study and exploration of the making, the meaning and the migration of images in art history.

Academic collection --- 7.04 --- 39 --- 39 Volkenkunde. Zeden en gebruiken. Culturele antropologie --- Volkenkunde. Zeden en gebruiken. Culturele antropologie --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Art and anthropology. --- Art and society. --- Art --- Visual perception. --- History. --- Themes, motives. --- Philosophical anthropology --- Iconography --- Illustrations, images, etc. --- Interprétation --- Art et société --- Perception visuelle --- Art et anthropologie --- Histoire --- Symbolism in art --- Arts --- Themes, motives --- MAD-faculty 12 --- iconologie --- antropologie

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Dominique Stroobant (°1947, Antwerp) is a Belgian artist living and working in Italy. Stroobant started his career carving stones and experimenting with lithophones. Together with painter Jef Verheyen he conceived marble works from the seventies, which he continues to this date. From the seventies onwards, Stroobant also became interested in the medium film and subsequently created cameras and recorders of various shapes and sizes. Throughout his early career, the artist recorded anti-authoritarian movements and victim memorials. Stroobant is particularly puzzled by the shapes of things that hint at infinity.

Sculpture --- sculpting --- Stroobant, Dominique --- kunst --- marmer --- marmersculptuur --- 73.071 STROOBANT --- 7.071 STROOBANT --- Stroobant Dominique --- camera obscura --- fotografie --- film --- beeldhouwkunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- Exhibitions

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altarpieces --- Fabre, Jan --- Kerkfabriek van Sint-Augustinus [Antwerpen]