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Hilde Overbergh (°1964, BE) is a Belgian artist, mainly known for her paintings and painterly installations. When she was 19 years old, standing on the corner of Bryant street and 15th street in San Francisco, she took a view on The Vats, an abandoned building in complete decay and a rehearsal space and crash pad to the local punk scene. The energy intrigued her. All this destruction and freedom was there for her to feed upon and to develop her artistic career. In her early large-scale paintings, she already included discarded and found materials from dumpsters and construction-sites. As her work developed the play with painting, objects and space became more apparent. Today Overbergh creates a world where paint, color and installations tell us stories about relations, construction and deconstruction. Actions such as folding, cutting, attaching and arranging give structure to her observations and act as inspiration and working method. She creates a tangible reality that lies in painting itself and in her choice of materials. The artist explores the formal aspects beyond the boundaries of the frame. In creating her artworks, she embraces the beauty in the useless materials that she collects during her travels and residencies to various places around the world like the USA, Iran, Portugal and Berlin. Other sources of inspiration are registrations of trivial constructions and situations her gaze falls upon. Spilled Milk will present the first comprehensive selection of work from the past eight years. Richly illustrated and with essays focusing on specific aspects, Spilled Milk will give an inside view on the artist's wide range of working strategies.

Overbergh, Hilde --- kunst --- Overbergh Hilde --- 7.071 OVERBERGH --- assemblages --- assemblage --- schilderkunst --- beeldhouwkunst --- twintigste eeuw --- eenentwintigste eeuw --- België --- Overbergh, Hilde, --- Art --- mixed media works --- 7.07 --- 75.07 --- Overbergh, Hilde °1964 (°Leuven, België) --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Schilderkunst ; schilders A-Z --- Art [Abstract] --- installatiekunst

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Sarajevo to Paris, fashion or reportage, deciding on the title of a book is mind-boggling. I call myself a documentary photographer that accidentally ended up doing fashion. The end of the '80s was an interesting and intense time in world history, and a particularly creative time in the world of fashion. As a young female photographer I was interested in both worlds. I was travelling for newspapers and magazines to the fashion weeks in Milan and Paris and to the conflict zones of Lebanon and Iraq. It was during the war in the former Socialist Federal Republic of Yugoslavia and the siege of Sarajevo that I matured in documentary photography, fortunately without being injured. Thirty years later, when looking back, those two worlds — documentary and fashion — still define my work. Both are equally represented in my archives. This book, of my fashion work, is the first to be published. I called it Sarajevo to Paris because sometimes I would travel directly from one to the other. These two cities had a big impact on my life.

Photography, Artistic --- Fashion photography --- 761.2 fotografen afzonderlijk --- fotografie --- photography --- modefotografie --- mode --- fashion --- 766.7 --- documentairefotografie --- Yamamoto, Yohji --- Viktor & Rolf --- Theyskens, Olivier --- Van Noten, Dries --- Mc Queen, Alexander --- Demeulemeester, Ann --- Vandevorst, A.F --- Bikkembergs, Dirk --- Simons, Raf --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Fashion --- Advertising photography --- reclamefotografie, modelfotografie --- Aesthetics --- Daniëls, Marleen. --- Sarajevo (Bosnia and Herzegovina) --- Paris (France) --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Париж (France) --- Parigi (France) --- Bārīs (France) --- باريس (France) --- Lutetia (France) --- Paryż (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Παρίσι (France) --- Parys (France) --- Parij (France) --- Parĩ (France) --- Bali (France) --- Pa-lí (France) --- 巴黎 (France) --- Horad Paryz︠h︡ (France) --- Горад Парыж (France) --- Paryz︠h︡ (France) --- Парыж (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Lutèce (France) --- City of Paris --- Paris --- Seine (France) --- Bosna-Serai (Bosnia and Herzegovina) --- Serajevo (Bosnia and Herzegovina) --- Serayevo (Bosnia and Herzegovina) --- Sarayevo (Bosnia and Herzegovina) --- Saragievo (Bosnia and Herzegovina) --- Saraevo (Bosnia and Herzegovina) --- reportagefotografie (documentaire fotografie) --- Portretfotografie --- Modefotografie --- fashion photography --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019

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De artistieke praktijk van Willem Boel (°1983, Sint-Niklaas; woont en werkt in Gent) valt binnen het uitgebreide veld van de beeldhouwkunst en bevat monumenten/structuren, kinetische sculpturen, gigantische rekwisieten en decors. Boel thematiseert de beeldhouwkunst als performance, als architectuur, als machinerie. De meeste werken uit zijn oeuvre circuleren door elkaar. Elk werk verbergt letterlijk de andere werken en zet ze voort, waardoor een voortdurende stroom van materiële elementen en conceptuele benaderingen ontstaat. Sancho Don’t Care is Boels eerste monografie over tien jaar intensief werk. Het biedt een uitgebreid overzicht van een proces dat nog volop in ontwikkeling is.

Sculpture --- sculpture [visual works] --- installations [visual works] --- public art --- Kinetic [style] --- monumental [size or dimensions] --- assemblages [archaeological artifacts] --- Boel, Willem --- Installaties ; environments ; 21ste eeuw --- Kunst en architectuur ; installaties --- Beeldende kunst ; installaties ; 21ste eeuw --- Belgische kunstenaars --- Beeldhouwkunst ; België ; 21ste eeuw --- Boel, Willem °1983 (°Sint-Niklaas, Belgium) --- 73.07 --- Beeldhouwkunst ; beeldhouwers A - Z --- assemblages [sculpture] --- Kinetic Art

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This Small Catalog collects works of art that young Stedelijk Museum voor Actuele Kunst visitors liked best! They chose the works of art that they considered to be the most special, interesting, sensitive, confusing, beautiful, inspiring and so much more. From the collection with more than 3000 works, 150 wonderful works of art are given a place in the Small Catalogue. In this book with the most beautiful images you can browse from A(bramovic) to Z(orio). Exhibition: S.M.A.K., Gent, Belgium (26.06.2021-06.03.2022). In deze Kleine Catalogus zijn kunstwerken verzameld die jonge S.M.A.K.-bezoekers het beste vonden! Zij kozen de kunstwerken die volgens hen het meest bijzonder, interessant, gevoelig, verwarrend, mooi, inspirerend en zoveel méér zijn. Uit de collectie met meer dan 3000 werken krijgen 150 wondere kunstwerken een plaats in de Kleine Catalogus. In dit boek met de mooiste afbeeldingen blader je van A(bramovic) naar Z(orio). Exhibition: S.M.A.K., Gent, Belgium (26.06.2021-06.03.2022).

Art --- S.M.A.K. [Ghent] --- art [fine art] --- audiences --- children [people by age group] --- art appreciation --- Art, Modern --- Stedelijk Museum voor Actuele Kunst (Ghent, Belgium) --- Catalogs. --- S.M.A.K. (Gent) --- kunsteducatie --- kunst --- 7.038/039 --- 373.67 --- museologie --- kunstonderwijs --- Stedelijk Museum voor Actuele Kunst --- musea --- 7.078 --- SMAK --- eenentwintigste eeuw --- twintigste eeuw --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- S.M.A.K. --- Museum of Contemporary Art (Ghent, Belgium) --- Museo de Arte Contemporáneo de Gante (Ghent, Belgium) --- Museum voor Hedendaagse Kunst (Ghent, Belgium) --- kunsteducatie. --- SMAK (Gent). --- art [discipline]

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Since 1998, Jan De Vliegher has been creating large-scale paintings based on careful observations of daily life. His work is a synthesis of abstract expressionism and impressionism, or, as art critic Willem Elias likes to describe it: ‘figurative Action Painting within an abstract framework of single-subject or all-over compositions’. Although unmistakably figurative, his rough and bushy brush strokes reveal a sense of abstraction, further enforced by the baroque and atmospheric aesthetic of his tableaux. There is no intentional narrative, no political message or anecdotal reference; his art mainly resolves around the act of painting itself. De Vliegher works in a fast and obsessive manner, according to the technique of ‘alla prima’, by which the layers are painted in one sitting, while the paint is still wet, and the blending of colours happens on the canvas itself, not on a palette. He applies the paint to the canvas in one movement, from the shoulder, straight from the bucket, uninterruptedly vital — perhaps even rushed. A joyous play of light and colour splashes from his paintings. For his subject matter, De Vliegher keeps an image database of over 40.000 photographs. He often finds beauty in mundane situations and banal objects which he finds on the beach, in his garden or in shop windows, but also in ancient statues, noble interiors, precious glass, marbles, porcelain and faience, which he construes as symbols of faded glory and power. Everything is meticulously captured and sorted by theme in folders and sub-folders, after which a selection of these images is digitally edited. De Vliegher carefully manipulates composition, form, colour, and perspective and hereby eliminates anything that is anecdotal, until the specific motifs are molded into a more universal objectivity. This monograph presents the first comprehensive overview of De Vliegher’s oeuvre, accompanied by a text by curator Els Wuyts.

Painting, Belgian --- Figurative painting --- 75.07 --- De Vliegher, Jan °1964 (°Brugge, België) --- Belgische kunstenaars --- Figural painting --- Representational painting --- Figurative art --- Painting --- Schilderkunst ; schilders A-Z --- Vliegher, Jan De --- De Vliegher, Jan --- Belgian painting --- oil paintings [visual works] --- figurative art --- video-stills --- Vliegher, De, Jan --- anno 2000-2009 --- anno 2010-2019