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Dutch literature --- Book history --- Theatrical science --- Thematology --- anno 1600-1699 --- anno 1500-1599 --- Amsterdam --- Nederland --- 839.3-2 "16" --- 094.1 <492 AMSTERDAM> --- 76.041.7 <492> --- 396 "16" --- Nederlandse literatuur: toneel; drama--17e eeuw. Periode 1600-1699 --- Oude drukken: bibliografie----Nederland--AMSTERDAM --- Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Nederland --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--17e eeuw. Periode 1600-1699 --- Broadsides --- Farces in art. --- Theater and children --- Wood-engraving, Dutch --- History --- 396 "16" Feminisme. Vrouwenbeweging. Vrouw en maatschappij--17e eeuw. Periode 1600-1699 --- 76.041.7 <492> Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Nederland --- 094.1 <492 AMSTERDAM> Oude drukken: bibliografie----Nederland--AMSTERDAM --- 839.3-2 "16" Nederlandse literatuur: toneel; drama--17e eeuw. Periode 1600-1699 --- Farces in art --- Dutch wood-engraving --- Children and theater --- Children --- Ballad-sheets --- Broadsheets --- Broadside ballads --- Journalism --- Street literature

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Painting --- realism [artistic form of expression] --- Hollandse school --- boredom --- anno 1600-1699 --- Netherlands

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This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven.Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens--where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts--shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.

Protestantism in art. --- Fountains --- Wax figures --- Robots --- Labyrinths --- History --- 17th century. --- Art Exhibitions. --- Automata. --- Clocks. --- Dutch Republic. --- Dutch. --- Europe. --- Fountains. --- Labyrinths. --- Popular culture. --- Robots and art. --- Robots. --- Sculpture history. --- Visual culture. --- Wax figures. --- Wax portraits. --- garden history. --- history.

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"The Erotics of Looking: Early Modern Netherlandish Art presents a collection of provocative essays that explore the material qualities of early Dutch art to reveal ways new forms of visual imagery solicit a beholder's involvement. Explores how descriptive pictures during the early modern Dutch art period operated as social things and were designed to pleasurably engage the eye and prompt discussion and debate Shows how these works potentially raised ethical and political questions about the interconnectedness of engaging with pictures and the material world Represents a major contribution to the field of early modern Netherlandish art and to general debates about the status and functions of descriptive art Features essays addressing a variety of aspects of the field, from the historiography of Dutch art to closely attentive readings of particular works Crafts an original theoretical framework by applying recent insights about the making of early modern publics and the study of material things to the analysis of Netherlandish art "-- "Crafts an original theoretical framework by applying recent insights about the making of early modern publics and the study of material things to the analysis of Netherlandish art"--

Painting --- Iconography --- anno 1600-1699 --- anno 1500-1599 --- Netherlands --- Flanders --- Art and society --- Art --- Psychology.

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eroticism --- schilderkunst, Nederlanden