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This book presents a collection of chapters on the nature, flexibility and acquisition of lexical categories. These long-debated issues are looked at anew by exploring the hypothesis of lexical polycategoriality –according to which lexical forms are not fully, or univocally, specified for lexical category– in a wide number of unrelated languages, and within different theoretical and methodological perspectives. Twenty languages are thoroughly analyzed. Apart from French, Arabic and Hebrew, the volume includes mostly understudied languages, spoken in New Guinea, Australia, New Caledonia, Amazonia, Meso- and North America. Resulting from a long-standing collaboration between leading international experts, this book brings under one cover new data analyses and results on word categories from the linguistic and acquisitional point of view. It will be of the utmost interest to researchers, teachers and graduate students in different fields of linguistics (morpho-syntax, semantics, typology), language acquisition, as well as psycholinguistics, cognition and anthropology.
Linguistic universals. --- Grammar, Comparative and general --- Categories, Grammatical --- Grammatical categories --- Categorization (Linguistics) --- Componential analysis (Linguistics) --- Morphosyntactic features --- Morphosyntax --- Language and languages --- Universals (Linguistics) --- Linguistics --- Typology (Linguistics) --- Morphosyntax. --- Grammatical categories. --- Major form classes --- Morphology --- Syntax --- Universals --- E-books
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"Living Ruins explores the ways people relate to the material remains of human behavior, providing a critical stance that contests institutionalized patrimonialization discourse of vestiges of the past in present landscapes. Nine case studies from the Maya region, the Andes, and Amazonia contextualize narratives, rituals, and practices toward different vestiges"--
Indians of South America --- Indians of South America --- Indians of Mexico --- Indians of Mexico --- Indians of Central America --- Indians of Central America --- Excavations (Archaeology) --- Indians of South America --- Indians of Mexico --- Indians of Central America --- Excavations (Archaeology) --- Excavations (Archaeology) --- Excavations (Archaeology) --- Indians of South America --- Indians of Mexico --- Indians of Central America --- Material culture. --- Antiquities. --- Material culture. --- Antiquities. --- Material culture. --- Antiquities. --- Material culture. --- Material culture. --- Material culture. --- Antiquities. --- Antiquities. --- Antiquities. --- South America. --- Mexico. --- Central America.
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Linguistic universals. --- Grammar, Comparative and general --- Morphosyntax. --- Grammatical categories.
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Le patrimoine culturel recouvre une réalité complexe. Il capte l’ensemble des problématiques de son époque. Il est le lieu où ne cessent de s’articuler des enjeux normatifs, sociaux, politiques, épistémologiques, où se reconfigurent en permanence les rapports entre passé, présent et futur et où les échelles varient, du local au global. L’ère numérique, avec les transformations qu’elle induit dans les processus de patrimonialisation comme dans l’étude des patrimoines, accroît cette complexité tout en appelant de nouveaux regards critiques. Telle est la perspective du présent ouvrage, qui déplie et déploie deux grandes thématiques. Il aborde d’abord les historicités, les spatialités et les reconfigurations temporelles du patrimoine, puis sa production sociale et enfin les médiations, appropriations et ressentis auxquels il donne lieu. Il traite ensuite de l’articulation entre matérialité, immatérialité et dématérialisation, en étudiant cette dernière et ses effets, l’évolution des connaissances sur la matérialité des œuvres, les usages du numérique pour l’accès au patrimoine et sa médiation. Nourri d’un travail collaboratif d’ampleur, il met en lumière les nouvelles pollinisations entre le monde académique et les institutions culturelles patrimoniales et l’accroissement qualitatif qu’elles constituent. Il montre également que l’interdisciplinarité, si elle est conçue comme un processus de co-traduction et de co-construction, constitue un formidable levier pour l’avenir de la recherche sur les patrimoines.
Art --- perspective --- patrimoine culturel --- institution
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