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Art styles --- Zero (kunststroming) --- Graubner, Gotthard --- Luther, Adolf --- Spindel, Ferdinand --- Cremer, Siegfried --- Bartels, Hermann --- Haacke, Hans --- Kage, Manfred --- Oehm, Herbert --- Roth, Dieter --- Goepfert, Hermann --- Graevenitz, von, Gerhard --- Hiltmann, Jochen --- Holweck, Oskar --- Mack, Heinz --- Mavignier, Almir --- Piene, Otto --- Pohl, Uli --- Salentin, Hans --- Uecker, Günther --- anno 1950-1959 --- anno 1960-1969 --- Germany
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Art --- sculpture [visual works] --- art [discipline] --- architecture [discipline] --- ecology --- urban development --- public art --- video art --- site-specific works --- political art --- public spaces --- Creed, Martin --- Willats, Stephen --- Los Carpinteros --- Hauser, Tobias --- Niens, Jasper --- Piller, Peter --- Steyerl, Hito --- Trecartin, Ryan --- Rafman, Jon --- Wachter, Christoph --- Jud, Mathias --- Hyrcan, Binelde --- Weinberger, Lois --- SAM ARKA --- Pnat [Florence] --- raumlaborberlin
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drawings [visual works] --- installations [visual works] --- sight [sense] --- video art --- light art --- illness --- storyboards --- storytelling --- texts [documents] --- souls --- aterlierJAK [Stuttgart]
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Art --- paintings [visual works] --- collages [visual works] --- sculpture [visual works] --- installations [visual works] --- Abstract [modern European style] --- Bauer, Michael
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Art --- drawings [visual works] --- installations [visual works] --- agriculture [discipline] --- gardening --- Plantae [kingdom] --- biodiversiteit --- seeds [plant components] --- Oberkofler, Gabriela
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The Villa Merkel is presenting an extensive solo exhibition introducing the Belgian artist Adrien Tirtiaux. Tirtiaux is a trained architect and artist who addresses three-dimensional situations. He is creating a pathway through the upper storey of the Villa Merkel looking at possibilities and impossibilities for the model in the context of artistic and architectural creativity.The spectrum runs from utopian and unrealized projects via the political dimension of building planning, ending up with an aesthetic tribute to the model as such. Tirtiaux uses the villa itself as a model, and modifies the exhibition galleries by means of radical but also subtle interventions.
Tirtiaux, Adrien --- Exhibitions --- Art --- models [representations] --- installations [visual works] --- art [fine art] --- architecture [discipline] --- drawing [image-making] --- photography [process] --- video art --- comics [documents] --- art [discipline]
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Art --- Film --- video art --- Keersmaeker, de, Anne Teresa --- Meessen, Vincent --- Casinière, de la, Joëlle --- Pacquée, Ria --- François, Michel --- Downsbrough, Peter --- Nyst, Jacques L. --- Dujourie, Lili --- Lennep, Van, Jacques --- Mey, de, Thierry --- Grimonprez, Johan --- Lizène, Jacques --- Boer, de, Manon --- Belgium
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Art --- video recordings [physical artifacts] --- installations [visual works] --- painting [image-making] --- photography [process] --- walking --- landscapes [representations] --- Fulton, Hamish
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Art --- installations [visual works] --- multimedia works --- theater [discipline] --- video art --- motion pictures [visual works] --- Dahlem, Björn --- Brenner, Birgit --- Büchel, Christoph --- Cardiff, Janet & George Bures Miller --- Exler, Stefan --- Jakobsen, Henrik Plenge --- Sinclair, Ross --- Wissel, Stefan --- Hubbard, Teresa Lynn --- Graham, Rodney
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