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Cet ouvrage fait le point sur la puissance graphique des logos & slogans que l'on retrouve sur les T-Shirts.

Graphisme --- Graphisme publicitaire --- Mode

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More than a cheap article of clothing, the T-shirt is a portable personal ad, its wearing declaring their political/musical/social affiliations for all the world to see. Since the 1960s the T-shirt has provided a forum for expression, where anti-war slogans mixed with early counter-culture classics such as "Keep on Truckin'," and tie-dye mingled with the debut of that hardy perennial, the tour T-shirt: album cover graphic on the front, venue details listed on the back. This book reflects the diverse and rich graphic culture that has arisen from the medium, considering its use in areas such as music, politics and fashion. Featuring photographs of T-shirts worn on the street, specially commissioned T-shirt graphics, T-shirt collections, and the best and coolest graphics from around the world, 300% Cotton will appeal to designers, illustrators and art directors, as well as a general market of T-shirt enthusiasts and collectors.

Product strategy --- Advertising. Public relations --- graphic design --- industrial design --- fashion [culture-related concept] --- T-shirts

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Featuring 50 seminal short films by key animators from around the world, this book discusses the work of early pioneers such as Oskar Fischinger and Jan Svankmajer as well as contemporary animators such as Larry Cuba, Tim Hope and Run Wrake. All of the films included are independently produced personal work. Most of the featured directors make a living in commercial animation but, freed from the constraints of a client brief, they use their short films to experiment with new ideas and techniques, many of which subsequently find their way into commercial applications. Labors of love, these films can take years to complete - each second of the film may consist of up to 25 frames of animation. Grouped according to four main themes, all forms of animation are covered, including 2D, 3D, Claymation, stop frame and web/Flash animation. Each project is accompanied by a 500-word review including comments from the director. Details of software and method along with the internet address of the production company are given in the technical credits.(deuxième de couverture)

Animation 3d --- Film d'animation --- film --- filmgeschiedenis --- animatie --- computerkunst --- digitale kunst --- Lye Len --- Alexeieff Alexander --- Parker Claire --- Brakhage Stan --- Stehura John --- Engel Jules --- Emshwiller Ed --- Sims Karl --- Kawaguchi Yoichiro --- Russell Erica --- Paterson James --- Pitaru Amit --- Insertsilence --- Glabicki Paul --- Bute Mary Ellen --- geluid --- Fischinger Oskar --- VanDerBeek Stan --- experimentele film --- McLaren Norman --- Cuba Larry --- Kendle Dylan --- Satoshi Tomioka --- Hope Tim --- Brothers Quay --- Quay Brothers --- Rutterford Alexander --- Pleix --- Gauckler Geneviève --- Deslandes Jean-Pilippe --- Hoogerbrugge Han --- Chansay Jean-Luc --- Svankmajer Jan --- Griffin George --- Leaf Caroline --- Norstein Yuri --- Panushka Christine --- Back Frédéric --- Hilton Stuart --- Hunt Philip --- Driessen Paul --- Bush Paul --- Hodgson Jonathan --- Yilmaz Lev --- Hardstaff Johnny --- Smith Harry --- Khitruk Fedor --- Trnka Jiri --- Khrjanovsky Andrei --- Kinoshita Renzo --- Kinoshita Sayoko --- Shorina Nina --- Lasseter John --- Baker Mark --- Bordo --- Dovnikovic Borivoj --- Kenworthy Richard --- Dudok de Wit Michael --- Templeton Suzie --- Wrake Run --- 791.46 --- 799.91 --- animatiefilm --- kortfilms --- animatiefilm, geschiedenis --- Film --- animatiefilms

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Economic production --- Organization theory --- innovatiemanagement --- bedrijfsinnovatie --- vernieuwing --- creativiteit