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Art --- curating --- public art --- performance art --- philosophy of art --- Perjovschi, Dan --- Aranda, Julieta --- Ghani, Mariam --- Herz, Rudolf --- Miessen, Markus --- Wanner, Franz --- Abu Hamdan, Lawrence --- Pirici, Alexandra --- Dittmer, Mareike --- Furlan, Massimo --- Eixenberger, Leon --- Lund, Jonas --- Haliti, Flaka --- Bilir-Meier, Cana --- Meyers, Benjamin Ari --- Blum, Gabi --- McCarthy, Anna --- Eiebakke, Anders --- Wasilkowska, Aleksandra --- Wahren, Julia --- Morris, Sarah --- Kluge, Alexander --- Melián, Michaela --- Nicolai, Olaf --- Akademie der Bildenden Künste [München] --- anno 2010-2019 --- Munich

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During its impressive career over the last decades the term 'performative' has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J.L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being 'theatre-like', believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how 'theatre-like' strategies and techniques can in fact enable 'reality making' situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.--LADA website.

Conservation --- Curatorship --- Curatorship. --- Performance art --- Theater --- Philosophy --- Philosophy. --- Exhibitions --- Performative (Philosophy)

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The catalogue that accompanies the exhibition Re-enchanting the World by Małgorzata Mirga-Tas in the Polish Pavilion at the 59th International Art Exhibition (the first time that a Roma artist is representing a national pavilion in the over-120-year history of the Venice Biennale): an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture. Re-enchanting the World is a publication accompanying Małgorzata Mirga-Tas’s exhibition of the same name, shown in the Polish pavilion at the 59th Venice Biennale. The exhibit is Mirga-Tas’s manifesto on Roma identity and art, drawing inspiration from the Renaissance frescoes of the Palazzo Schifanoia in Ferrara and thus attempting to expand the European iconosphere and history of art with representations of Roma culture.The title of the project and this book is inspired by Silvia Federici’s book Re-enchanting the World: Feminism and the Politics of the Commons (2018), in which re-enchanting—a non-violent process in which women play an important role—reverses the unfortunate fate of the world, shaking off its evil spell. This publication presents Mirga-Tas’s re-enchanting of the world as a way of recovering the idea of the Roma community, with consideration to transnationality, cyclicity and the evolution of meanings, proposing a new narrative about the continuous cultural migration of images and mutual influences between Roma, Polish and European cultures.Within the multidirectional texts featuring poetry, prose and essays, as well as images of Mirga-Tas’s project and its process, we witness her re-enchantment of the world through a re-examination of identity, a recognition of feminine power, and a re-presentation of historical and contemporary visual narratives.

kunst --- textiel --- textielkunst --- eenentwintigste eeuw --- Polen --- Mirga-Tas Malgorzata --- Roma --- 7.071 MIRGA-TAS --- Biennale di Venezia --- Mirga-Tas, Malgorzata --- Mirga-Tas, Malgorzata / Expositions --- Catalogues d'exposition --- Mirga-Tas, Malgorzata. --- collages --- quiltwork --- ontwerpmethodiek --- Biënnale van Venetië --- 772.9 --- 779.8 --- portretten --- productdesign, afzonderlijke voorwerpen --- textielkunst, overige --- Exhibitions --- Mirga-Tas, Małgorzata, --- antiziganisme --- racisme

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Art --- democracies --- performance art --- political art --- Aminde, Ulf --- Pirici, Alexandra --- Helguera, Pablo

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Abramovic, Marina ; Akhunov, Vyacheslav ; Alimpiev, Victor ; Althamer, Pawel ; Antufiev, Evgeny ; Atabekov, Said ; Avotins, Janis ; Balka, Miroslaw ; Cantor, Mircea ; Didziapetris, Gintaras ; Djordjadze, Thea ; Feriancova, Petra ; Friedman, Yona ; Grigorescu, Ion ; Grubic, Igor ; Gutov, Dmitry ; Halilaj, Petrit ; Jasansky, Lukas ; Polak, Martin ; Kabakov, Ilya & Emilia ; Koller, Julius ; Kovanda, Jiri ; Kovylina, Elena ; Kusmirowski, Robert ; Lulaj, Armando ; Maljkovic, David ; Man, Victor ; Martek, Vlado ; Meldibekov, Yerbossyn ; Mikhailov, Ivan ; MoAA (Dorothy Miller) ; Muresan, Ciprian ; Narkevicius, Deimantas ; Ondak, Roman ; Paci, Adrian ; Putrih, Tobias ; Sala, Anri ; Seda, Katerina ; Solakov, Nedko ; Sosnowka, Monika ; Turba, Tamas St. ; Ter-Oganyan, David ; Galkina, Alexandra ; Tichy, Miroslav ; Toomik, Jaan ; Trbuljak, Goran ; Zmijewski, Artur

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