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women [female humans] --- Sexology --- iconography --- nudes [representations] --- Iconography --- painting [image-making] --- eroticism --- sexuality --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Sex customs in art. --- Art, European --- Sex symbolism. --- Space --- Sex --- Vie sexuelle dans l'art --- Art européen --- Symbolisme sexuel --- Espace --- Sexualité --- Themes, motives. --- Social aspects --- Religious aspects --- Christianity. --- Thèmes, motifs --- Aspect social --- Aspect religieux --- Christianisme --- 392 "15" --- 7.04 --- Zeden en gebruiken in het particuliere leven--16e eeuw. Periode 1500-1599 --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 392 "15" Zeden en gebruiken in het particuliere leven--16e eeuw. Periode 1500-1599 --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Art européen --- Sexualité --- Thèmes, motifs --- Sex customs in art --- Sex symbolism --- Metaphysics --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Erotic symbolism --- Symbolism --- Themes, motives --- Religious aspects&delete& --- Christianity --- Sex (Theology)

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Fifty years after its publication in English, René Girard's Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new genera

Mimesis in literature. --- Desire in literature. --- Girard, René, --- Criticism and interpretation. --- Girard, René, --- Girard, René --- Girard, René --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Girard, Rene, --- Girard, Rene --- Girard, René Noel, --- Zhirar, Rene,

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Vertical Readings in Dante’s ‘Comedy’ is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This three-volume collection offers an unprecedented repertoire of vertical readings for the whole poem. Vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante.

Dante Alighieri, --- Criticism, Textual. --- Italian literature --- Commedia --- vertical readings --- Dante Alighieri --- Inferno --- comparative --- Purgatorio --- Paradiso --- Italian poetry

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Vertical Readings in Dante's 'Comedy' is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This three-volume collection offers an unprecedented repertoire of vertical readings for the whole poem. Vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante.

Dante Alighieri, --- Criticism, Textual. --- Dante Alighieri, 1265-1321. --- Italian literature --- Commedia --- vertical readings --- Inferno --- comparative --- Purgatorio --- Paradiso --- Italian poetry

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Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – available in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. Volume 2 and Volume 3 are also available to read for free. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website. This series would not have been possible without the generosity of certain sponsors: Trinity College, Cambridge; Selwyn College, Cambridge; the Italian Department, University of Cambridge; the Cambridge Italian Research Network (CIRN); the Centre for Medieval Literature (University of Southern Denmark and University of York); the University of Notre Dame; and the School of Languages, Cultures and Societies, University of Leeds.