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Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life.A critical investigation of the visual media and selected video artworks which contributes

778.5 --- 7.01 --- 791.43.098 --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- Video's. Videofilms. Videoclips. Videokunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Video art --- Video art. --- Art vidéo --- Art vidéo.

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"The abundance of images in our everyday lives- and the speed at which they are consumed seems to have left us unable to critique them. To rectify this situation, artists such as Daniel Richter and Artur Zmijewski have demonstrated that painting is brilliantly equipped to produce 'slow images' that enable, encourage and reward reflection. Here, Helen Westgeest attempts to understand how various forms of slow painting can be used as tools to interrogate the visual mediations we encounter daily. Painting was expected to disappear in the digital age, but through interactive painting performances and painting-like manipulated photographs and videos, Westgeest shows how photography, video and new media art have themselves developed the visual strategies that painting had already mastered. The fleeting nature of digital mass media appears to have unlocked a desire for more physically stable and enduring pictures, like paintings. In a world where the constant quest for speed can leave us exhausted, the appeal of this 'slower medium' has only grown"--

Painting, Modern --- Time and art.

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Mix & Stir', this book's aim is an endeavour to understand art as being a panhuman phenomenon of all times and cultures; to steer away from the persistent Eurocentric/Western-centric viewpoint towards a transcultural and transnational interconnected model of exchange and processes of interculturalization. Mix & Stir wants to expand this landscape by bringing to the fore new, recalcitrant, queer, idiosyncratic practices and discourses, theories and topics, methods and concerns that open up ways to approach art from a global perspective. Analogous to a cookery book filled with recipes and instruction, Mix & Stir explores new outlooks on contemporary art from global perspectives. It intends to encourage studying art beyond national constraints, cultural dominances, and hierarchies: a voyage similar to that of culinary discovery. The book brings a variety of tastes and flavours to the table, and breaks new ground by allowing innovative, contrary, queer, idiosyncratic practices and discourses, theories and topics, methods, and concerns to access art in its global dimensions. Researchers, curators and artists with a special interest in this topical issue were invited to present, develop, outline, and contemplate compelling frames of reference, both theoretical and artistic, in order to arrive at a true 'world art studies'. Their contributions are structured in seven thematic fields: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History. The reader is invited to explore the vast supply of dishes, to taste and test the aromas and to feast. - Editors: Helen Westgeest & Kitty Zijlmans - Contributions: Thomas J. Berghuis, Elisabeth de Bièvre, John Clark, Thomas DaCosta Kaufmann, Parisa Damandan, Wilfried van Damme, Sophie Ernst, Angèle Etoundi Essamba. Paul Faber, Claire Farago, Anne Gerritsen, Jacqueline Hoàng Nguyễn, Isabel Hoving, Stijn Huijts, Joo Yun Lee, Nancy Jouwe, Remy Jungerman, Sonja van Kerkhoff, Meta Knol, Frans-Willem Korsten, Katja Kwastek, Sybille Lammes, Charl Landvreugd, Gregor Langfeld, Chris Lee, Christa-Maria Lerm Hayes, Virginia MacKenny, Sarat Maharaj, Tirzo Martha, Kyveli Mavrokordopoulou, Larissa Mendoza Straffon, Ni Haifeng, Stéphanie Noach, Anja Novak, John Onians, Rob Perrée, Georges Petitjean, Rosalien van der Poel, Jennifer Pranolo, Lize van Robbroeck, Pippa Skotnes, Henk Slager, Rudi Struik, Eva-Maria Troelenberg, Leonor Veiga, Leon Wainwright, James Webb, Janneke Wesseling, Helen Westgeest, Carine Zaayman, Kitty Zijlmans, Robert Zwijnenberg

kunst --- globalisering --- kunst en politiek --- gender studies --- postkolonialisme --- deep art history --- 7.039 --- 7.01 --- eenentwintigste eeuw --- kunsttheorie --- Art --- recipes --- art [fine art] --- colonization --- food --- artists' collectives --- philosophy of art --- globalization --- African diaspora --- Diversiteit --- Globalisering --- Kunst en politiek --- Postkolonialisme --- Kunst ; theorie, filosofie, esthetica --- dekolonisatie --- kunstsociologie --- kunstbeschouwing --- culturele diversiteit --- Art, Modern --- Art contemporain --- Théorie de l'art --- Analyse de l'art --- Cultural fusion --- art [discipline]

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Photography --- Photography, Artistic --- History --- History. --- fotografie --- kunst --- fotografietheorie --- fotografiegeschiedenis --- twintigste eeuw --- eenentwintigste eeuw --- film --- performance --- documentaire fotografie --- 77.01 --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Photography - History --- Photography, Artistic - History --- Photography - Case studies